Tag: thriller

  • KKR defeat PBKS in last-ball IPL thriller

    KKR defeat PBKS in last-ball IPL thriller

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    Kolkata: Skipper Nitish Rana scored a half-century (51 off 38 balls), while West Indian middle-order batter Andre Russell (42) and Rinku Singh (21 not out) played some fine strokes at the back end as Kolkata Knight Riders defeated Punjab Kings by five wickets in a last-ball IPL thriller here on Monday.

    Chasing 180 for victory, KKR scored 182/5, with Russell playing a pivotal role in the game, hitting three sixes in Sam Curran’s 19th overs to bring his team closer to the target.

    Rinku then scored a four off the last ball of the innings to signal KKR’s victory.

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    Earlier, KKR spinner Varun Chakravarthy grabbed three wickets for 26 runs but Punjab Kings still managed a fighting 179/7 with skipper Shikhar Dhawan scoring a half century.

    Dhawan (57 off 47 balls) was also involved in a 53-run partnership with wicketkeeper-batter Jitesh Sharma (21) and laid the foundation for later-order batters to set a competitive total.

    Brief scores:

    Punjab Kings: 179 for 7 in 20 overs (Shikhar Dhawan 57; Varun Chakravarthy 3/26, Harshit Rana 2/33).

    Kolkata Knight Riders: 182 for 5 in 20 overs (Jason Roy 38, Nitish Rana 51, Andre Russell 42, Rinku Singh 21 not out; Rahul Chahar 2/23, Nathan Ellis 1/29).

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    #KKR #defeat #PBKS #lastball #IPL #thriller

    ( With inputs from www.siasat.com )

  • Sunrisers Hyderabad beat Rajasthan Royals in last-ball IPL thriller

    Sunrisers Hyderabad beat Rajasthan Royals in last-ball IPL thriller

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    Jaipur: Abdul Samad smashed a six off the last ball as Sunrisers Hyderabad defeated Rajasthan Royals by four wickets to keep their playoff hopes alive in a high-scoring IPL thriller here on Sunday.

    Riding on aggressive fifties by Jos Buttler (95) and Sanju Samson (66), Rajasthan Royals posted a challenging 214 for two after winning the toss and electing to bat.

    In response, Abhishek Sharma (55), Rahul Tripathi (47) kept them in the hunt before Yuzvendra Chahal (4/29) snapped four wickets to almost derail their chase.

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    A cameo from Glenn Phillips (25) reignited the chase as Abdul Samad’s (17 not out off 7 balls) knocked off the winning runs with a six in the last ball following a no-ball from Sandeep Sharma.

    For Sunrisers, Bhuvneshwar Kumar (1/44) and Marco Jansen (1/44) took one wicket each.

    Brief scores:

    Rajasthan Royals: 214 for 2 in 20 overs (Jos Buttler 95, Sanju Samson 66 not out; Bhuvneshwar Kumar 1/44).

    Sunrisers Hyderabad: 217 for 6 in 20 overs (Abhishek Sharma 55; Yuzvendra Chahal 4/29).

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    ( With inputs from www.siasat.com )

  • IANS Review: ‘Citadel’: Techno thriller that promises more than it delivers! (IANS Rating: **)

    IANS Review: ‘Citadel’: Techno thriller that promises more than it delivers! (IANS Rating: **)

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    Series: Citadel. Streaming on Amazon Prime. Two episodes up; four to come once a week from May 5.

    Cast: Richard Madden, Priyanka Chopra Jonas and Stanley Tucci.
    Created by: Josh Appelbaum, Bryan Oh and David Weil.
    Cinematographers: Newton Thomas Sigel and Michael Wood.
    IANS Rating: **

    A good spy thriller has to have the two staple ingredients: a killer concept headed by a credible protagonist and an antagonist. That said, we are all assured that the cinematic value of espionage thrillers will never be lost.

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    Having offered some of the greatest action movies in cinema history, and giving us convoluted stories, smart plot twists, blasts, flare-ups and umpteen bangs, ideally, a spy thriller packs in so much as to keep you on the edge of your seat.

    The American science-fiction television series “Citadel”, created by David Weil for Amazon Prime Video, with the Russo brothers acting as executive producers, and Richard Madden and Priyanka Chopra Jonas playing “Citadel” agents Mason Kane and Nadia Sinh. With a heavy dose of action, chases and alluring leads, it promises a lot.

    The opening sequence has Priyanka in a red dress looking every inch the sexy sassy spy one would hope for. Only this time, she appears far more confident — shall we say, starry? — as she negotiates several inconsistent turns that the scriptwriters have unimaginatively woven into overfilled-with-possibilities expansions.

    As of now, only two of the six-part series are available for viewing and an episode every week will follow from May 5 onwards.

    If the first two episodes that are streaming now are any indication, the rest of the periodic flow of thrills will include developments in different territories with more action and shifts justifying its universal appeal.

    The 15 minutes of Priyanka’s Nadia Sinh and Mason Kane as agents of the global spy agency Citadel set the ball rolling on an innovatively advanced high-tech train. The two have a mission on their hands: to stop a man carrying a bag full of enriched uranium.

    Taking orders from a far-off Bernard Orlick (Stanley Tucci) they must get in on the act to stop their adversary Manticore. They succeed, or so it seems. Several fights amid an exchange of several languages later, one learns that Citadel has fallen and its agents’ memories have been wiped clean.

    And guess what? Both Mason and Nadia are presumed dead. Some eight years later, the threat of Manticore rising looms large and Citadel agents must be brought back to lead dangerous lives in a surreal world where their life is often on the line.

    By the way, all those who will put aside everything else to accommodate this thriller in their schedules, are in for disappointment, for Priyanka gets precisely 15 minutes of fame in the first episode. The rest of it focuses on Mason and his memory getting back to high speed action once again.

    If the makers have outdone — or at least tried their best — to outshine Bond’s penchant for long battles with bad guys, there’s something miserably wanting: humour. The smooth and suave Bond taps into whatever everyone desires in life as he is an embodiment of what every man wants to be and what every woman wants in men.

    Described as an “action-packed spy series with a compelling emotional centre” and “an expansive and ground-breaking global event comprising a mothership series and several local language satellite series,” the show is neither spectacular, nor rivetingly engaging, save, perhaps, the camerawork zooming across the Italian Alps, India, Spain, and Mexico.

    If you are expecting a rollercoaster ride full of bumps and highs, this one isn’t the one for you. Not so far. What we get to enjoy in the subsequent episodes is anybody’s guess.

    Priyanka, who seems post “Quantico” to have sharpened the art of keeping herself bravely engaged in all kinds of covert operations, spying, transporting weapons and supplies, and helping people escape while all along adding martial art skills, is in perfect shape.

    Mouthing dialogues in husky tones, she has left behind her desi accent that stood out in “Quantico”, the 2015 thriller series, and looks and acts like any other global citizen. Her poise and sureness is for everyone to admire and that alone should pave the way for other Indian female stars to head westwards.

    Other than her, everyone else looks eager for more adventurous escapades to keep themselves going.

    The series will include developments in different countries and languages. “The Family Man” duo Raj and DK have been signed to do the Indian adaptation featuring Varun Dhawan and Samantha Ruth Prabhu.



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    ( With inputs from www.siasat.com )

  • Citadel review – this absurdly fun spy thriller is televisual crack

    Citadel review – this absurdly fun spy thriller is televisual crack

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    With the arrival at last of high-octane, international spy actionfest Citadel after a troubled gestation (commissioned before the pandemic, rejected pilot episode, replacement of the original director, radical overhaul), Prime Video is now the producer of the two most expensive streamed series of all time. The Lord of the Rings: The Rings of Power cost $465m (and that’s clearly without spending a cent on the title) and the new six-episode drama on the block reportedly comes in at somewhere north of $250m. And that’s clearly without spending a cent on the script.

    Is it worth it? You betcha. It’s Mission: Impossible meets The Bourne Identity meets James Bond while glancing off Indiana Jones a few times along its irresistible way.

    It opens, rather like a Hollywood remake of Bodyguard, with Richard Madden having loo-based traumas on a train. This time he is more chiselled, because people from outside the UK are going to see him, and doesn’t quite save the day. This time he plays Mason Kane (actually, they might have spent 10 dollars on the name) an agent for Citadel, an independent global espionage network comprising people tired of political corruption and criminal infiltration screwing up ordinary espionage and leaving the little people unprotected.

    His partner (and ex-wife) is the permanently pouting Nadia Sinh (Priyanka Chopra Jonas), who looks like Jessica Rabbit but who is a very good agent, perhaps even better than Kane, and everybody respects her and takes her very seriously OK so the producers hope they’ve done their bit and got away with it overall, ’kay?

    The train blows up because Citadel has been betrayed by one of its own to Manticore, a global crime syndicate fed up with the good guys cutting into their time and profits. We cut to eight years later and our agents are living normal lives in separate cities with absolutely no memory of their previous existence as a hot married agent couple being blown up on trains. But when Manticore steals a caseful of Citadel’s supertopsecret secrets that would enable them to establish a new world order, the remnants of Citadel gather for one last fight. And by “remnants” I mean Stanley Tucci as supertopCitadelagent Bernard Orlick, who tracks down Kane, kidnaps him and his family – but in a nice way, because good guys, remember – and launches him on a mission that will reunite him with Nadia, putting him very much in the way of Sinhing while he’s happily married to a normal woman called, I believe, Abby Wifewife (Ashleigh Cummings).

    It is basically televisual crack. Twists, turns, explosions, old-fashioned fisticuffs, the deployment of outrageous gadgetry from Acme’s Deus Ex Machina range, torture scenes, new locations (the Alps, London, all over the States, Paris, Spain, Iran – I may have missed a few in my delirious, glassy-eyed state), are parcelled out in one long, glorious stream. And just when you’re thinking “I could do with a quiet moment right now”, up pops Lesley Manville having the time of her life as evil ambassador Dahlia Archer (a nickel for the name but they had to build the English Gloss generator from scratch for $17m) to deliver a precise, devastating speech, demolish a journalist or order someone’s brain stem severed while she clips roses or finishes a light breakfast.

    This version of Citadel is the mothership – there are to be various spin-offs tailored to different countries, many of which have already started filming. I can only hope the addictive magic translates each time. Everyone deserves to have this much absurd fun.

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    #Citadel #review #absurdly #fun #spy #thriller #televisual #crack
    ( With inputs from : www.theguardian.com )

  • Watch Video: 5 Sixes In 5 Balls – Rinku Singh Wins Last-Over Thriller For Kolkata Knight Riders vs Gujarat Titans – Kashmir News

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    Watch Video: 5 Sixes In 5 Balls – Rinku Singh Wins Last-Over Thriller For Kolkata Knight Riders vs Gujarat Titans – Kashmir News

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    #Watch #Video #Sixes #Balls #Rinku #Singh #Wins #LastOver #Thriller #Kolkata #Knight #Riders #Gujarat #Titans #Kashmir #News

    ( With inputs from : kashmirnews.in )

  • India secure WTC final berth after New Zealand beat Sri Lanka in thriller

    India secure WTC final berth after New Zealand beat Sri Lanka in thriller

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    Delhi: India on Monday qualified for the prestigious World Test Championship (WTC) final after New Zealand defeated Sri Lanka by two wickets in a thrilling last-ball finish in the Christchurch game.

    India will play Australia in the WTC final at The Oval from June 7.

    This is India’s second successive entry into the WTC final, with the previous one coming in the inaugural cycle in 2021, where they lost to New Zealand.

    With the Dimuth Karunaratne-led side’s only shot at the WTC final berth hinging on a 2-0 victory against the Kiwis in the away series, the loss for the Islanders ended their hopes of securing a spot.

    Australia was the first team to secure a WTC final berth after humbling India by nine wickets in the third Test of the Border-Gavaskar series at Indore, leaving the hosts praying for a favourable result in the first Test between New Zealand and Sri Lanka.

    The result in Christchurch took the fourth Test of the Border-Gavaskar series in Ahmedabad out of the equation as earlier India had to win the contest to secure the WTC final spot.

    Australia is sitting atop the WTC table with 68.52 percentage points (PCT).

    Had Sri Lanka won the Test on Monday and strived for victory in the second match at Wellington, their PCT would have jumped from 53.33 to 61.11 — higher than India’s 60.29 before the start of the fourth Test in Ahmedabad.

    In order to take all the scenarios out of the equation, India had to win the Ahmedabad Test — which would have taken their PCT to 62.5 — and retain their second position on the WTC table.

    But with New Zealand acing a record chase of 285 runs on Monday, thanks to former captain Kane Williamson’s unbeaten 121, Sri Lanka were left ruing their chances.

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    #India #secure #WTC #final #berth #Zealand #beat #Sri #Lanka #thriller

    ( With inputs from www.siasat.com )

  • Fair Play review – knockout thriller pits a couple against each other

    Fair Play review – knockout thriller pits a couple against each other

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    In the first scene of the punchy Sundance thriller Fair Play, a New York couple, Luke (Alden Ehrenreich) and Emily (the Bridgerton breakout Phoebe Dynevor), are covered in blood. They’re at his brother’s wedding and are so desperately in heat for one another that they soon find themselves in the bathroom, him performing oral sex before group photos are taken. But Emily is on her period and between cleaning themselves off and laughing at the unfortunate timing, a ring falls out of Luke’s pocket and suddenly they’re engaged. A marriage forged in blood.

    It’s no real spoiler to say that it’s a nasty omen of what’s to come, the writer-director Chloe Domont’s ruthless, and ruthlessly entertaining, feature debut taking a happy young couple and throwing them into chaos. There’s something darkly gratifying about that formula, one we haven’t seen as much of recently but that dominated the 80s and 90s. While there’s a definite throwback vibe to Fair Play, Domont isn’t interested in merely repeating what’s come before.

    Luke and Emily don’t just live together – they also work together as analysts in the high-stakes and high-pressure world of finance, forced to abide by company policy and keep their relationship secret. When a job opens up above them, Emily is thrilled to hear whispers that it might be going to Luke. But when it ultimately ends up hers, the couple is forced into a difficult situation. With the tables turned, Luke finds it harder to support her success and the pair start to unravel.

    With a delicacy that more genre films aiming to tackle weightier topics could afford to emulate, Domont cooly constructs a contemporary story about how a gendered disparity in finance and power can wreck a seemingly successful relationship. Emily’s new position is a threat to Luke, to his self-worth and to his masculinity, and it tears at them both, following them back from the office to the bedroom. Back in 1994, the corporate thriller Disclosure posited that the only thing scarier than a woman scorned was a woman scorned who was also your boss, painting a laughably dated portrait of the evils of having women climb the corporate ladder. Fair Play, while recalling many a Michael Douglas thriller from Fatal Attraction to A Perfect Murder, is a smart rebuke to such misogyny. The biggest threat here ends up being a man’s ego.

    But Domont also avoids blunting or over-stacking her story, allowing both characters to make wrong moves along the way, with some of Emily’s decisions far from unimpeachable. Bristling tension arises from the small stuff that starts to become unavoidably big, rather than an over-reliance on farfetched plot developments, a sleekly modulated balance of domestic and corporate thrills that mostly feel believably grounded. It’s a film of many, many high-volume arguments but Dynevor and Ehrenreich remarkably avoid even the slightest sign of histrionic excess, expertly carrying over their sexual chemistry to the couple’s more horrible moments – a pair you buy in moments of love as much as you do in moments of hate. Both performances are exceptionally effective, with Ehrenreich returning from his post-Solo slump to remind us why he was seen as the Next Best Thing way back when and Dynevor, a relative newcomer to film, at least, possessing the kind of confident command that should elevate her to the A-list in no time.

    Workplace narratives adjacent to this have been relegated to television (there are obvious comparisons to the work-life tension in the equally horny and treacherous world of Industry) but it’s refreshing to see a story such as this self-contained within two hours. There are the odd bits of dead weight (Luke’s obsession with a self-help business guru proving a little clunky) and there’s likely to be some impassioned discussion over one particularly troubling scene in the last act, but Domont ends with a fantastic drop-the-mic moment that had the audience here at Sundance enthusiastically applauding.

    Sundance is a competitive market festival and with the film still seeking a buyer, one can expect a fierce bidding war. This one is a winner.

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    ( With inputs from : www.theguardian.com )