Tag: kashmir handicrafts

  • Golden Leaves

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    Mirza Waheed’s 2014 novel tells the story of love and hope in times of war, writes Muskan Fatima

    Waheed Mirza
    Mirza Waheed (Author)

    Mirza Waheed’s novel The Book of Gold Leaves is a story about Kashmir, about the spirit of resilience that makes natives to cling the hope in wake of challenges.

    Mirza is a Kashmir-born, British storyteller who quit a promising journalistic career to become a full-time novelist. His debut novel The Collaborator was an international bestseller and was shortlisted for The Guardian First Book Award in 2011. The Book of Gold Leaves, published in 2014 was shortlisted for the 2015 Folio Prize and the 2016 DSC Prize for South Asian Literature.

    Set In the 1990s

    The Book of Gold Leaves is set in the 1990s war-torn Kashmir and at it captures a love story of devastating beauty at a time of political strife in Kashmir. Faiz is a Shia papier-machie artist who supports his family by painting pencil boxes. His artworks are sold overseas in countries where he cannot travel. He is a dreamer too and often dreams about creating a masterpiece.  Roohi, the other lead character in Mirza’s book is a young damsel who is a Sunni. She is a woman with dreams in her eyes and when her dreams are shattered she does not let her hopes die or her heart harden.

    They knew each other as kids and are reunited as adults only to fall in love with an all-consuming intensity. The love they share is the kind of love that Shakespeare talked about – a love that is beyond all impediments and thus cannot be altered.

    By no means, however, is their story a fairytale where a happy ending is awaited all along. Instead, it is a story where the heart is fragile and full of heartache and yet it chooses to be a rebel and love regardless of the consequences. The beauty of the book and the plot lies in the details of how the war tears their story apart and how they bravely face it in the hope that the war will end one day as it always does.

    Times apart, the story is set in a space, where Shia-Sunni tensions have been part of history’s baggage. The storyteller ensures the love bloom, transcending the narrow sectarian divide. This is despite the fact that Faiz, the key character in the film, becomes a militant and is known as the “papier machie militant”.

    Family Support

    The family dynamics and history have also been woven with great delicacy. Farhat who is the little sister of Faiz shares a beautiful bond with Roohi. The bond is like that of sisterhood and comfort. While Faiz is away from home Farhat and Roohi become pillars of strength for each other.

    The Book of Gold Leaves
    The Book of Gold Leaves by Mirza Waheed

    The writing style is poignant and lyrical. There is incredible use of imagery and the prose has been written in such a way that it leaves the reader with a sense of catharsis.

    The scent of home is spread throughout the book from the scenes set up in Khanqah to the water bodies described with incessant beauty. One can almost imagine themselves walking down the lanes in Habbakadal and gazing at the houseboats while on a Shikara ride.

    There is a sense of melancholy felt throughout the novel which gives the sense that the book shares a personal connection with the author. In fact, the book cover carries a picture of Mirza’s late grandfather’s paper-machie artwork.

    Communal Relations

    One of the underlying themes that this book explores is the Hindu-Muslim relations in Kashmir. On TV screens and in political discourse, the relationship is often portrayed of a rivalry. Mirza not only describes the plight of Hindus who left their homes but also explores the ground reality of relations between Hindus and Muslims in Kashmir. He portrays with utmost delicacy how both communities have shared a history of utmost love and tolerance.

    Just like in real life within one story lies multiple other stories waiting to be explored and understood. The side characters in the book carry within themselves a complexity of their own.

    One such story which goes parallel to the love story of Faiz and Roohi is that of Shanta Koul, the Principal at Farhat’s school. Army barracks are being set up in the school and youngsters joining militancy has become common news. Shanta Koul is forced to watch as her life and the life of those around her are stripped of any stability that existed before the war and the turmoil.

    Interestingly, Mirza skips indulging in who is at fault. Instead, he leaves it to the reader to form opinions and conclusions. He merely shows the aftermath of it all and does what storytellers must do- tells the story.

    In Kashmir the silence is loud and the waiting is long. Although amidst all of it Mirza Waheed does not fail to slide in a glimmer of hope within the little moments of joy shared by the characters.

    This book is a slice of life filled with spirituality, family history, love, longing, hope and in the midst of it all a feeling of home that Kashmir never fails to give.

    (Muskan is a young intern with TheNewsCaravan.)

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    #Golden #Leaves

    ( With inputs from : kashmirlife.net )

  • An Unfinished Shawl

    An Unfinished Shawl

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    A master craftsman died within months after a British organisation was awarded for the intricate design he displayed at an exhibition. Years later, his elder brother decided to pick the complicated art of his brother and finished the job six years later. The very expensive shawl, however, is not on sale and is being retained by the family as an emotional and artistic reunion of the two brothers, reports Bilal Bahadur and Masarat Nabi

    Kashmir’s shawl weaving is acknowledged globally. However, certain anecdotes revolving around some of the very special shawls are not in public knowledge. These stories could be as true with the shawls carrying the map of Srinagar city as it is true with certain complicated designs that were associated with certain master artisans. Recently, one such shawl made news for an interesting development.

    An artisan known for his intricate design work died within months after he started working on a pattern and it was approved by a buyer for its intricate and very expensive design. He left the shawl half-finished as the death does not keep a calendar, unlike a work schedule. For a long time, nobody could touch the shawl. Finally, the family decided that they need to pick up the threads and complete it. It took years and last month the shawl was completed.

    This is the story revolving around Shabir Ali Beigh, a master artisan known for his intricate patterns. In his lifetime, he made his presence felt within and outside Kashmir. He bagged all the awards at the state and national levels. Besides, he received the best of the best award at The Art in Action Award from Oxford University Press in 2007.

    “His work was recognised by this award, in a competition where more than 3500 artisans from around the world had come to demonstrate their works,” his brother Mehboob Ali said. “Shabir Ali got the first prize for his Kani Sozni work.”

    Within a few months after his return from London, Shabir Ali died. This left his work unfinished.

    “One day, I received a call from the Arts and Action Museum asking for the shawl position, and I told them Shabir Ali was no longer alive,” Mehboob said with moist eyes. “They wanted me to give them the shawl cutting and his needle so that they could preserve it in their museum. I suggested they recognise my brother’s work and put his name and state on the (unfinished) shawl, but they didn’t agree. I refused to give them the unfinished work.”

    It was after this acrimonious conversation with the British museum that Mehoob’s family decided to complete the unfinished work and make the award-winning design a complete story. It proved to be a challenging task.

    “At first, I was unable to understand how my brother had worked on that shawl, but I did not give up,” Mehboob said. “It took me almost a year to understand how he had used the thread in designing the intricate pattern, and when I finally finished the shawl, I felt a great sense of accomplishment.”

    Mehboob said it took him around 6 years to complete the shawl. “This was a huge work and this helped me understand the intricacies involved in the craft.”

    Shabir Alis Shawl
    This intricate and complicated-pattern Kashmir Shawl is an interesting masterpiece. Its design work won Kashmir Sozni artisan, Shabir Ali a major British competition and the product was supposed to go to the British museum. He had barely started to work on it when Shabir died leaving it unfinished. It was his elder brother, Mehboob Ali who put in his hard work and completed the work in six years. Once the wonder was ready, the family decided against selling it to the British Museum as they decided to retain it as a souvenir at home. KL Image: Bilal Bahadur

    The Father

    Now Mehboob is an extraordinary artisan. Living in Srinagar’s Zadibal, he speaks proudly of his craft and the inheritance of knowledge. He is a proud third-generation artisan.

    His father, Ali Mohammad Beigh specialised in weaving pashmina shawls and mastered the art of sozni. This led him to get a number of honours. In 2006, he received the Shilp Guru Award for his work on ten samples of shawls. Conferred upon master craftspersons in recognition of their excellent craftsmanship, product excellence, and their roles as gurus in the continuance of crafts to other trainee artisans as a vital part of the traditional heritage of India, Shilp Guru Awards was given to him by Vice President Jagdeep Dhankhar in 2002. Given as part of the Golden Jubilee of the resurgence of handicrafts in India, the award carried a gold coin, Rs 2 lakh prize money, a tamrapatra, a shawl, and a certificate. A respected artisan, he won the state award in 1984 and the national award in 1992.

    The Sons

    While mastering the art, Ali Mohammad passed down his knowledge to his two sons, Mehboob Ali and Shabir Ali. They improved upon the knowledge and experience they inherited and also aged all the awards.

    Mehboob, for instance, received three state awards in 1987, 1988, and 1989. In 1996, he got national awards for his work on a Jamawar shawl and another national award for Sozni in 1997.

    Working diligently, Mehboob has achieved a level of mastery and is being considered matchless among his peers. “We are illiterate, but this art has given us everything  – pride, dignity, and a sense of accomplishment,” Mehboob said. “Our work keeps us so engrossed and busy that we don’t get time to think about other things.”

    Apart from finishing a challenging work that his brother left unfinished, Mehbooba has his own anecdotes. “The index finger of my left hand has a visible mark developed by needle pricks while embellishing the shawls,” he said. “This is the occupational hazard so no regrets.”

    Beighs have dedicated their entire life to Sozni embroidery. That is why, despite Shabir Ali’s absence, Mehboob’s passion and commitment to this craft never fade; they are not just working to earn a living but also working to keep the craft alive and vibrant. This art form has given them a sense of purpose and a source of pride. Mehboob hopes to pass down the knowledge to the next generation, almost following in the footsteps of his father.

    By the way, Mehboob has decided not to give the Shawl to the British museum. He intends to retain it as the memory of his brother and not sell it. He said he is getting buyers for the product but will not sell it. Money apart, it is an emotional product that links him with his dead brother.

    A Regret

    Shabir left two sons behind – the elder one is a seventh-class student and the younger one is in the third primary. Mehboob is taking care of his brother’s family. He regrets that the system is cruel and inhuman. “If a government employee passes away, he still gets some kind of help,” Mehboob said. “What about us? We may not require financial help but at least somebody could have come to condole the death, a loss that was primarily ours but the art belonged to all of us and we had lost a major artisan.”

    Mehbooba Ali Shawl
    Mehboob Ali Beigh is a master Sozani artisan. He works on complicated designs and works with 300 artisans within and outside Srinagar. However, he sees the unfished work of his late brother, Shabir Ali as a perfect masterpiece. KL Image: Bilal Bahadur

    Mehboob regrets that the system is not sympathetic towards the artisan community. “Nobody looked towards the handicrafts during the two years of Covid19. It is my God that kept the families intact,” Mehboob said. “When the sales fell flat, we devised products for local consumption involving bag sewing and papier machie boxing for the weddings and that is how we could survive those two years for the meals.”

    New Trend

    The Covid19, he said, despite being trying proved a blessing in disguise. “After a very long time, the local market revived and now people are acquiring the Pashmina and Jamawar shawls the same way they acquire gold. This is a new trend that is on the surge. This trend is now a major source of income to the handicraft artisans,” Mehboob said. “People find the value of precious shawls almost like gold.”

    Mehboob said he has been telling his family clients that he is willing to acquire all the kani shawls and Jamawal shawls at a cost higher than they paid when they bought them 20 or 30 years ago. “If somebody had purchased a shawl for Rs 50,000 from us, say 30 years ago, used it for all these years, I am willing to pay more to get it back,” Mehboob said, insisting he purchased a few. “This has led people to make comparisons between a Kani or a Jamawar shawl with the gold. People purchase gold and when they require money, they sell it but the buyer deducts some money. In the case of shawls – as long as they do not have damage, I do not deduct anything and instead, I pay more.”

    Mehboob said he works with more than 300 artisans within and outside Srinagar and almost 25-30 artisans come to his workshop and work there in the daytime. “We are in Sozni and we work on any kind of material – sarees, pashmina, semi-pashmina, pherans and crewel and this is helping us keep our worker network busy, Mehbbob said. “The stress is there in the market but we are finding ways and eams to keep the workforce engaged.” He, however, asserted that the surge in the local market, especially during the wedding season, has emerged as a major support base for the artisans.

    Content with the work he is doing, Mehboob said the new generation in the family is studying but it is unlikely that they will desert the sector. “Our children study, and get degrees but come back to the craft that we have inherited,” Mehoob said. “This is a craft that has been given to us by spiritual personalities and that is how we make best of the life even in challenging situations. We will live by the needlework, come what may.”

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    #Unfinished #Shawl

    ( With inputs from : kashmirlife.net )

  • Briefing February 5-11, 2023

    Briefing February 5-11, 2023

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    JKSSB has been asked by the High Court to appoint 1446 paramedics after dismissing the petitions filed by those who have been working against these positions for many years.

    KATHUA

    Dilbag singh DGP
    Dilbagh Singh (IPS)

    In an interesting revelation, the Jammu and Kashmir Police Chief, Dilbagh Singh said they have recovered a ‘perfume bomb’ from a school teacher turned militant. The recovery took place while investing in the twin Narwal blasts of January 21, 2023, and the outcome included solving four terror attacks—three on the outskirts of Jammu City and another at Katra. The teacher was identified as Mohammad Auraf Sheikh alias Arif, 32, son of Ghulamudin, a resident of village Pagihalla in the Baransal area of Gulabgarh(Reasi), who was posted at Government Middle School, Pagihalla(Mahore) but living at Peerbagh Colony at Sunjuwan in the rented accommodation of a Jammu and Kashmir Police (JKP) Inspector. He had been living in the cop’s accommodation between December 2021 and March 2022 and from December 1, 2022, to January 2023 and the cop had not informed the concerned. Hired as ReT in 2010, and his services were regularised in 2016.

    DGP said Arif was in touch with Pakistan-basedLashkarcommander Mohammad Qasim, a resident of the village Angralla (Reasi) district, and was introduced by his maternal uncle Qamar Din of Baransal, Doda, who is settled in Karachi. His job was to collect drone-dropped IEDs and sticky bombs from the International Border in Jammu, Samba and Kathua. The teacher had burnt almost every single thing that could have proved as evidence against him but he was still caught. Police said he admitted that he planted two sticky bombs, each weighing 450 grams, beneath seat number 3 of the bus, above the petrol tank, on May 13, 2022, in which a few Vaishno Devi pilgrims were killed and mostly survived injured.

    The government has allotted Rs 62 crore, to be spent over five years for the cultivation of Medicinal Aromatic Plants on 5000 kanals of land spread across 28 clusters, creating over 3000 jobs and 28 enterprises.

    GULMARG

    Two Polish skiers were washed away by a debilitating avalanche at Gulmarg’s Afarwat skiing slope when 21 skiers were taken by surprise. While the rescue patrol rescued 19 skiers and their two guides – Fayaz Ahmad Sheikh and Mushtaq Ahmad Mir, the bodies of Krzysctof, 43, and Adam Grzech45, were retrieved from under a mound of snow. With powdered snow, Gulmarg is the best destination for world-class skiing outside the Alps. The spot is crowded with skiers these days. This season, Kashmir witnessed its seven major avalanches. While four avalanches hit Gurez, two hit Sonamarg earlier. In one of the avalanches at Sonamarg, two labourers working on the Zojilla tunnel were killed. Incidentally, most of these avalanches were captured live. One mobile owner actually captured the last moments of one of the two ill-fated skiers. The last major avalanche in Gulmarg was on February 8, 2010, which killed 17 soldiers.

    As per a study, around 6.5 per cent of women in Srinagar started experiencing domestic violence during Covid-19-induced lockdowns.

    DODA

    After mass migration from Uttrakhand’s Joshimath due to its feared sinking, a similar tragedy almost struck a village located on the banks of Chenab River, where 21 residential structures developed cracks in Thathri tehsil of Doda since December last year. More than 111 people from 21 homes declared unsafe were shifted away from the Nai Basti village. The administration is yet to know the cause of land erosion and a team from the Geological Survey of India (GSI) has been rushed to the spot.

    Jammu and Kashmir’s government inaugurated 94 sports infrastructure projects worth Rs 46 crore under CAPEX and JKIDFC

    SRINAGAR

    Against the backdrop of tracing a fake posting and appointment order, the School Education Department has ordered verification of the genuineness of the 2009 batch and other appointees of which orders have been issued by the government.  The order came after a fraudster was found serving the department for more than 13 years by producing fake postings and appointment orders.

    Jammu and Kashmir’s government is spending Rs 146 crore to promote niche crops as unique heritage.

    SRINAGAR

    Hurriyat OfficeFollowing a Delhi Court order, the National Investigation Agency (NIA) attached the Hurriyat office in Srinagar. In an order, Shaliender Malik, additional sessions judge, New Delhi district, had ordered the attachment under the Unlawful Activities Prevention Act-1967. The court, however, had added that the attachment in itself does not mean that there is any pre-trial conclusion regarding that property. The Court further said that among the different allegations and evidence, it was also the case that the office of APHC was the place where meetings were held to strategize different protests, funding activities of stone pelting on security forces, recruiting of unemployed youths to carry out unlawful activities as well as terrorist activities to create unrest in the erstwhile state of Jammu and Kashmir to wage war against the Government of India.

    57 schools and roads were recently renamed in memory of eminent persons and lain soldiers.

    SRINAGAR

    Nearly 656309 hectares of State and Khacharai land were retrieved during the ongoing anti-encroachment drive in eight districts of Jammu and Kashmir. On January 9, the administration had asked the DCs to ensure that all encroachments on state land, including grazing land and that granted under the Roshni Act, are removed by January 31. The major chunk of 2,75,867 hectares of land was retrieved from encroachers in Rajouri, followed by 1,44,613 hectares in Reasi, 1,22,277 in Poonch, 47,552 hectares in Kishtwar, 33,000 Kanals in Bandipora, 15,000 in Kathua, 14,000 in Ganderbal and 4,000 in Kupwara districts so far. In line with the government’s assurances that big fishes are on target, 40 kanals of land were retrieved from a hotel in Srinagar that belongs to close relatives of former CM Farooq Abdullah. In Anantnag, the boundary wall of the residence of former minister Peerzada Mohammad Sayyed (Congress) at Dahmal Khoshipora was demolished. However, while many high profiles people were targeted, the Lal Chowk Srinagar’s Aftab market witnessed the sealing and then subsequent reopening of two dozen odd shops.

    India’s 2023-24 budget has allocated Rs 35,581.44 crore to Jammu and Kashmir, mostly as central assistance. It is slightly lower in comparison to allocations of Rs 44,538.13 crore in the last budget.

    JAMMU

    Trilochan Singh Wazir
    Trilochan Singh Wazir

    Delhi Police has arrested Sudershan Singh Wazir, Chairman of Jammu and Kashmir Sikh United Front and his two associates Harjinder Singh Raina and Jagpal Singh for their alleged involvement in the murder of NC lawmaker and trader Tarlochan Singh Wazir on September 3, 2021. Sudarshan was summoned by police to Delhi and booked under Section 120-B IPC. The recent arrests in the case were based on the disclosures of Harpreet Singh, a prime accused in the murder.

    NABARD estimates Jammu and Kashmir has credit potential worth Rs 34082 crore in the priority sector in 2023-24.

    LADAKH

    Engineer Sonam Wangchuk, Ladakh’s change-maker and the man on whose life the Bollywood blockbuster, 3 Idiots is based, was on a “symbolic carbon neutral climatic fast” (read hunger strike) for five days. His protest was for an extension of the Sixth Schedule to Ladakh, full statehood and other demands already propounded by the region’s political leadership. His protest became global news as the Leh administration restricted him to his Himalayan Institutes of Alternative Ladakh (HIAL). Now the region’s leadership wants him to be part of the negotiations with Delhi. The Magsaysay Award winner’s statement shocked the government: “I didn’t think I would ever say this, but I am saying that we were better off with Jammu and Kashmir than today’s UT [Union Territory]. I would also tell that tomorrow’s UT would be better and golden.”

    In the last three years, Budgam district witnessed the seizure of 1120 vehicles for “illegal missing” and they were fined to the tune of Rs 17,357,156.

    BIHAR

    Last week, social media was dominated by a young Kashmir lady who had converted to Hinduism for marrying Lalu Singh, a resident of Begusarai, Bihar. She emerged on the social media scene after her in-laws refused to adopt her and wanted her to go back home. She had fled home twice and was sent back by her in-laws but this time she refused and went public. Later, a possible police intervention helped her reunite with her husband.

    Against a loan of Rs 400 crore to various power projects owned by Adani group, almost Rs 255 crore is still unpaid.

    DELHI

    In his Mann Ji Baat, Prime Minister Narendra Modi said to many Kashmier winter pictures look like a fairy tale. “During winters, people also enjoyed snowfall in the mountains. Some pictures came in from Jammu and Kashmir which captivate hearts in the entire country,” Modi said. “People are saying that picture of a beautiful snowfall, white sheet like snow all around looks like a fairy tale. They comment that these pictures are not of any foreign nation but that of Kashmir in our own country.”  Then he became a Kashmir brand ambassador: “Seeing these pictures, you too must be thinking of going on a trip to Kashmir. I would like you to go there yourself and also take your friends along. Besides snow-capped mountains along with natural beauty, there are many more things to see and know in Kashmir.” Then, he moved to snow cricket and termed it an “exciting game”. He added; “Winter Games were organized in Syedabad, Kashmir. Kashmiri youth make cricket even more amazing in the snow. Through this, there is also a search for young players in Kashmir, who will later play as Team India. In a way, this is also an extension of the Khelo India Movement.”

    In the last 20 years, Kashmir recorded 2357 Asiatic black bear attacks on humans till 2020.

    SRINAGAR

    Kashmir’s handicraft basket will now have a Quick Response (QR) code alongside the GI labelling. The initiative aimed at fair trade practice is taking place at a time when the handicraft sector is exhibiting a strong revival with exports in the last nine months crossing Rs 729 crore, for the first time after 2019. Now, 13 Kashmir crafts including six handicrafts already having GI will have distinct QR codes. These include Kashmir Pashmina, Kashmir Sozni, Kani Shawl, Kashmir Walnut Wood Carving, Kashmir Papier Machie and Khatamband. In the case of Kashmir Pashmina’s GI labelling has been redeveloped and has been integrated with the QR-Code certification module.

    From 23 procurement spots, the agriculture department has purchased 33600 tons of paddy from 6,549 farmers in Jammu and Kashmir for Rs 68.88 crore.

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    #Briefing #February

    ( With inputs from : kashmirlife.net )

  • QR Code, GI Labelling Push Kashmir Handicrafts Exports Touch Rs 729 Cr In Nine Months

    QR Code, GI Labelling Push Kashmir Handicrafts Exports Touch Rs 729 Cr In Nine Months

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    by Masood Hussain

    SRINAGAR: Kashmir’s handicraft basket will now have a Quick Response (QR) code alongside the GI labelling. This is part of the serious effort by the Jammu and Kashmir government to improve buyer confidence and adequately promote handmade works. The initiative aimed at fair trade practice is taking place at a time when the handicraft sector is exhibiting a strong revival with exports in the last nine months crossing Rs 729 crore, for the first time after 2019.

    Now, 13 Kashmir crafts including six handicrafts already having GI will have distinct QR codes. These include Kashmir Pashmina, Kashmir Sozni, Kani Shawl, Kashmir Walnut Wood Carving, Kashmir Papier Machie and Khatamband. In the case of Kashmir Pashmina’s GI labelling has been redeveloped and has been integrated with the QR-Code certification module, Director Handicrafts and Handlooms, Mehmood Ahmad said.

    Kashmir carpet already has a QR code along with the GI labelling. It was launched by Lt Governor Manoj Sinha on February 10, 2022.

    The GI certification ensures the buyer that the product is produced only in a particular geographical location and no manufacturer other than those recognized by the registration may claim to produce or sell the same by the name specified under the registration. The QR code gives the buyer the facility to use his cell phone and locate the craftsman or the institution that made the product for further satisfaction of its genuineness.

    Jammu and Kashmir started GI coverage for its craft basket in 2007. So far, it has GI certification available for seven crafts: Kashmir Pashmina, Kashmir Sozni, Kani Shawl, Papier Machie, Khatamband, Kashmir Walnut Wood Carving and Kashmir Hand-knotted Carpet.

    For issuing the GI label for Kashmir Pashmina, Jammu and Kashmir government established Craft Development Institute (CDI) in 2013 where the Assistance to State for Infrastructure Development of Exports (ASIDE) assisted Pashmina Testing and Quality Certification Centre (PTQCC) tests the products for its genuineness. “So far, it has certified and labelled more than 16,000 genuine Kashmir Pashmina products and has also conducted 1900 Non-GI tests to ascertain the genuineness of various Non-GI handicraft products,” Ahmad said. “In 2022, the demand for labelling at the centre increased by 1100 per cent.”

    Ahmad said it is helping the product in competing with rivals across the world. In the case of carpets, the dual certification – the GI label and user-friendly QR code have restored consumer confidence hugely. “Till February 2022, we have certified and labelled 6000 carpets,” Ahmad said.

    The data of carpet export exhibits an upward trend. In the last nine months of fiscal 2022 ending December 31, Kashmir exported carpets worth Rs 212.23 crore. This is expected to mark a return from the sluggish exports that Kashmir carpet witnessed from 2017-18 when carpets worth Rs 452.12 crore were sold. The carpet exports were of the order of Rs 353.63 crore in 2018-19; Rs 395.78 crore in 2019-20; Rs 299.56 crore in 2020-21and Rs 251.06 crore in 2021-22. With three months more to go, 2022-23 may have a better export tally in carpets. Kashmir carpets are the major part of the handicrafts sale from the valley making slightly less than half of the overall turnover.

    The handicrafts and handlooms department believes that the distinct QR-coding will help address the deficit that Kashmir crafts have inherited as it avoided implementing the new fair-trade practices. Interestingly the QR-coding is available for products which do not fall in the GI-certified basket.

    “For the convenience of the artisans, traders and exporters, we have heat application secured fusion labels or fabric-based non-tearable, waterproof labels which can be stitched on the product based upon the liking of the customer,” Ahmad said. “The newly introduced QR-Code-based labels are secure tampered proof labels with invisible UV and Micro-Text, heatproof (25 F to 140 F) and shall work on all smooth and rough surfaces.”

    The QR codes are available for genuine handmade crafts under the non-GI category like Copperware, Willow Wicker, Silverware, Filigree and some other items.

    These interventions are taking place at a time when the Kashmir handicraft sector is witnessing an improved turnover as the exports are showing an upswing. The global markets are recession hit and Covid19 has been a key role in it.

    Data suggest that in the first three quarters of the current fiscal ending December 31, 2022, the overall exports of Kashmir handicrafts were at Rs 728.99 crore. This is much improved in comparison to the overall exports of Rs 563.13 in 2021-22 and Rs 635.52 crore in 2020-21. The handicraft exports were at Rs 1090.12 crore in 2017-18 and Rs 917.93 in 20180-19. Kashmir remained under lock and key since 2019 summer, a situation that was extended by the Covid19 pandemic.

    Now the government is working to add ten more crafts in the GI listing. The mandatory dossiers have already been submitted to the GI registry at Chennai. These crafts are Kashmir Namda, Wagguv, Shikara, Gabba, Kashmiri Willow Bats, Crewel, Chain Stitch, Tweed, Basohli Paintings and Chikri Wood. Some of these items have already access to QR-code labelling.

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    #Code #Labelling #Push #Kashmir #Handicrafts #Exports #Touch #Months

    ( With inputs from : kashmirlife.net )