Tag: IANS

  • IANS Review: ‘Citadel’: Techno thriller that promises more than it delivers! (IANS Rating: **)

    IANS Review: ‘Citadel’: Techno thriller that promises more than it delivers! (IANS Rating: **)

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    Series: Citadel. Streaming on Amazon Prime. Two episodes up; four to come once a week from May 5.

    Cast: Richard Madden, Priyanka Chopra Jonas and Stanley Tucci.
    Created by: Josh Appelbaum, Bryan Oh and David Weil.
    Cinematographers: Newton Thomas Sigel and Michael Wood.
    IANS Rating: **

    A good spy thriller has to have the two staple ingredients: a killer concept headed by a credible protagonist and an antagonist. That said, we are all assured that the cinematic value of espionage thrillers will never be lost.

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    Having offered some of the greatest action movies in cinema history, and giving us convoluted stories, smart plot twists, blasts, flare-ups and umpteen bangs, ideally, a spy thriller packs in so much as to keep you on the edge of your seat.

    The American science-fiction television series “Citadel”, created by David Weil for Amazon Prime Video, with the Russo brothers acting as executive producers, and Richard Madden and Priyanka Chopra Jonas playing “Citadel” agents Mason Kane and Nadia Sinh. With a heavy dose of action, chases and alluring leads, it promises a lot.

    The opening sequence has Priyanka in a red dress looking every inch the sexy sassy spy one would hope for. Only this time, she appears far more confident — shall we say, starry? — as she negotiates several inconsistent turns that the scriptwriters have unimaginatively woven into overfilled-with-possibilities expansions.

    As of now, only two of the six-part series are available for viewing and an episode every week will follow from May 5 onwards.

    If the first two episodes that are streaming now are any indication, the rest of the periodic flow of thrills will include developments in different territories with more action and shifts justifying its universal appeal.

    The 15 minutes of Priyanka’s Nadia Sinh and Mason Kane as agents of the global spy agency Citadel set the ball rolling on an innovatively advanced high-tech train. The two have a mission on their hands: to stop a man carrying a bag full of enriched uranium.

    Taking orders from a far-off Bernard Orlick (Stanley Tucci) they must get in on the act to stop their adversary Manticore. They succeed, or so it seems. Several fights amid an exchange of several languages later, one learns that Citadel has fallen and its agents’ memories have been wiped clean.

    And guess what? Both Mason and Nadia are presumed dead. Some eight years later, the threat of Manticore rising looms large and Citadel agents must be brought back to lead dangerous lives in a surreal world where their life is often on the line.

    By the way, all those who will put aside everything else to accommodate this thriller in their schedules, are in for disappointment, for Priyanka gets precisely 15 minutes of fame in the first episode. The rest of it focuses on Mason and his memory getting back to high speed action once again.

    If the makers have outdone — or at least tried their best — to outshine Bond’s penchant for long battles with bad guys, there’s something miserably wanting: humour. The smooth and suave Bond taps into whatever everyone desires in life as he is an embodiment of what every man wants to be and what every woman wants in men.

    Described as an “action-packed spy series with a compelling emotional centre” and “an expansive and ground-breaking global event comprising a mothership series and several local language satellite series,” the show is neither spectacular, nor rivetingly engaging, save, perhaps, the camerawork zooming across the Italian Alps, India, Spain, and Mexico.

    If you are expecting a rollercoaster ride full of bumps and highs, this one isn’t the one for you. Not so far. What we get to enjoy in the subsequent episodes is anybody’s guess.

    Priyanka, who seems post “Quantico” to have sharpened the art of keeping herself bravely engaged in all kinds of covert operations, spying, transporting weapons and supplies, and helping people escape while all along adding martial art skills, is in perfect shape.

    Mouthing dialogues in husky tones, she has left behind her desi accent that stood out in “Quantico”, the 2015 thriller series, and looks and acts like any other global citizen. Her poise and sureness is for everyone to admire and that alone should pave the way for other Indian female stars to head westwards.

    Other than her, everyone else looks eager for more adventurous escapades to keep themselves going.

    The series will include developments in different countries and languages. “The Family Man” duo Raj and DK have been signed to do the Indian adaptation featuring Varun Dhawan and Samantha Ruth Prabhu.



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    ( With inputs from www.siasat.com )

  • Reality Shows: Nothing real about it (IANS Column: B-Town)

    Reality Shows: Nothing real about it (IANS Column: B-Town)

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    There are all kinds of reality shows on various television channels. And there are a lot of aspirants for these programmes, too.

    There is ‘Kaun Banega Crorepati’, where people dream of hitting a jackpot, and then, there are other reality shows such as ‘Indian Idol’, which promotes young singers, besides ‘India’s Best Dancer’, which shows little of dance, least of all the dances as we know in India, and more of aerobics and acrobatics.

    KBC is, of course, a quiz programme where general knowledge questions are posed and the winnings increase with every right answer. There are lifelines for outside help and the programme is very popular, thanks to host Amitabh Bachchan’s iconic status and to the huge amounts in prize money.

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    Also popular is ‘Indian Idol’, where Indian youth show their singing talent and get breaks in the entertainment industry. The dance programme may not be as popular, but is made watchable with huge sets and, now, even special effects added, the kind not possible outside a television studio.

    In my opinion, the best special effects so far used were for the song ‘Sara zamana…’ from the Amitabh Bachchan-starrer ‘Yaarana’. What was special about the song was its choreography, apart from its melodious tune and Bachchan’s costume, which was illuminated with tiny lights.

    It was not even the LED era. To add to that, when the crowds could not be controlled, the song had to be shot without the crowds. But it was a public performance song and could not be shot without an audience. So, what did the makers do? They lit the stadium with candles to make it seem like a crowded hall.

    The idea has become very popular now, be it in cricket matches or other events. The only difference is that the viewers light up their mobile phones.

    This was all about applying minds. It was not computer generated as it is the practice today.

    So, what is the first criteria to qualify for one of these reality talent shows? Talent? No! Though that is what you are supposed to possess.

    The primary qualifying criteria is poverty. You have to come from a poor, deprived, almost starving family, fighting for survival. I mean, you can sing and there are a dozen or so who also can. But that does not make for an interesting script for the show. A participant’s poor background does help the narrative and create sympathy around him/her.

    To add to the effect, the participant’s home (usually ramshackle) is visited. And shot for telecast. Some kids are also made to dress to suit the narrative and to go with the sad family background for greater effect.

    The participant’s parents are invited to be a part of the show and asked to narrate the story of their poverty.

    Earlier, we used to say that a lot of filmmakers depict India’s poverty in their films. These were called realistic films, they were viewed and lauded by international critics and in the festival circles! It tallied with their perception of India then.

    Now, there is this case of a 13-year-old lad who possessed a good voice and was keen to participate. The boy’s father, a well-placed marketing executive, thought too that his son had what it took. For the sake of the boy, he gave up his marketing job in Delhi and took one in Mumbai just to promote his son’s talent and to be close to the action.

    A recording of the boy’s singing was sent to the programme makers and they too approved of his talent.

    So, was he selected? No. He was not poor enough to qualify. He had no sad stories to tell about his poor background. Strangely, his father was asked to leave his job. Become jobless and needy! The father did not fall for the bait.

    Okay, so what happens to those poor singers who participate? Do they make millions, do they make a career once the show is finished? Does a promising career await them?

    None of the above in most or almost all cases. They go back as poor as they were when they entered the show, except for whatever they get paid when the programme is on and the decent meals and lifestyle while it lasts.

    And what is the criteria to be a judge on such a show? They have to be well-qualified cry babies. They are needed to start shedding tears as soon as a participant narrates the story of struggles and poverty! Besides the songs that these kids sing, these judges shedding tears, I suppose, serves as the entertainment quotient in such shows.

    As for KBC, it has its lure. One being meeting Amitabh Bachchan face to face. Then comes the prize money. Even the biggest duffer is assured of at least Rs 10,000 with four lifelines available. But there are those who have won up to a crore.

    Now, there are no poverty stories on KBC, but, for some time, the show has shifted its priority in that direction. The concentration was mostly on rural participation and they had poverty stories to tell. Probably, the MNC sponsors wanted it to be so, though their product was too pricey for the poor of the rural areas.

    As for the singing stars who emerge from these shows, what is their future after a few months of limelight? Unless they survive on their own grit, these shows guarantee no future. The judges who praise every singer sky high and, at times, promise playback assignments, are just following the script. Their words of praise are grossly repetitive and sound fake.

    So, what are these judges doing here, for there is a voting system that determines the popularity of the contestants and the winner? These singing contestants render and are appreciated for the old-time melodies they perform on the show. In such an event, wouldn’t it be better if the anchor blabbered less and let more songs play?

    As for a couple of music composers who judge these shows, they don’t seem to have it in them to tune melodies. And the show producers also invite a celebrity guest who praises every singer as if that was part of their appearance contract! No analyses or suggestions; just praise!

    The music today is mostly cacophony! Maybe they can sing ad jingles because most television and radio commercials use old film melodies nowadays.

    As for the dance reality shows, little said the better. They won’t even fit in a film dance number as background dancers, for no present-day hero has that pep to dance like them.

    These reality shows, are they for real? Well, they make real money for the channels as well as the judges who laugh all the way to the bank.

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    ( With inputs from www.siasat.com )