Hyderabad: With the Academy Awards almost here, actor NTR Jr has landed in Los Angeles to attend the Oscars where the epic period action drama RRR’s Naatu Naatu is nominated in the ‘Best Original Song’ category after a smashing win at the Golden Globes.
While the actor’s loyal fandom is all excited to see their idol walk the red carpet at the Oscars, the global icon in a recent interview with KTLA, an LA-based news channel, explained how it will not just be him walking the red carpet but the entire country.
“I don’t think it’s going to be NTR Jr or Komaram Bheem who is going to walk the red carpet. It’s going to be India who will be walking the red carpet. We are going to carry the whole nation in our hearts as we walk the red carpet, I am looking forward to that!” said NTR Jr.
In the interview, the actor also mentioned how he is looking forward to watching music composer M.M. Keeravani and singers Rahul Sipligunj and Kaala Bhairava perform the song on the Oscar stage.
Back home in India after the success of RRR, NTR Jr will soon begin working on his next NTR 30 with director Koratala Siva along with Janhvi Kapoor which will release on the big screens on 5th April 2024.
There’s something undeniably cool about Capcom’s ongoing creature-hunter series Monster Hunter: in our world of mundane capitalism, it offers a return to violent, heroic days of yore, where it’s just you, monsters and a great big sword. Yet try as I might to heed the call of the hunt, my heroic ambitions are consistently foiled by walls of text and hours of slaying the same embarrassingly tiny lizards. I thought Monster Hunter and its ilk just weren’t for me – but then I played EA and Omega Force’s wonderfully weird Wild Hearts.
An eyebrow-raising collaboration between the publisher of Fifa and the creators of Dynasty Warriors, set in the land of Azuma (inspired by feudal Japan), it’s like a fever dream. This realm is ruled by giant mythical beasts known as Kemono, coated in moss and flowers, and these once-peaceful creatures have inexplicably become enraged. The hapless Azumians aren’t having a great time with these skyscraper-sized rapscallions, and it falls to you to sort things out.
Unlike the game it’s unashamedly influenced by, Wild Hearts makes its world feel both mysterious and approachable. Where Monster Hunter bombards you with menus, EA’s take is happy to let its world do the talking, throwing you headfirst into its fantastical setting. As you climb and slash your way through lavish locales, its sprawling and overgrown world hints at life within a wider civilisation, inviting curiosity in a way that the closed-off hubs of Monster Hunter don’t. It’s a fun-filled onboarding that immediately lets you get to the good stuff – and then things take a turn for the weird.
Giving the hunter-gathering of Monster Hunter the middle finger, Wild Hearts imbues you with the powers of construction; branded as the mystical art of “Karakuri”, collecting magical thread allows players to build Fortnite-esque structures mid-battle. With everything from wooden walls that block gigantic tail lashings, to a hurriedly botched-together trebuchet hammer at your disposal, it’s a fun and extremely silly mechanic.
It gets more farcical: while townsfolk rebuild a hubworld midway through the game, NPCs insist that they are now unable to harness Karakuri, despite heaps of construction going on behind them. Who knew you could be gaslighted by an entire video game? These odd contradictions are the first of many narrative missteps in Wild Hearts, but when it comes to the core creature combat, its designers get a lot right.
Macabre Pokémon? A scene from Wild Hearts. Photograph: EA/Koei Tecmo/Omega Force
Unlike the more mythical-feeling monsters in Capcom’s caper, Wild Hearts’ combatants look more like macabre recreations of legendary Pokémon. From demonic six-eyed boars to spore-coated rodents, each ferry-sized foe is memorably unhinged – including a giant flying squirrel that shoots water and shrieks like a dolphin.
Like Destiny before it, more important than the tedious narrative are the player-led stories; while you won’t remember a single NPC’s name, you will remember you and your mate finally toppling the fearsome Amaterasu on your fourth attempt. Or that time you somehow built a ridiculous tower mid-attack and glitched your way back into a battle that seemed all but lost. And really, you’ll need to call on a friend, because solo play quickly loses its charm. Thankfully, matchmaking here is a world away from the abstruse Monster Hunter, allowing players to quest with friends and strangers alike at the press of a button.
When you’ve upgraded its array of alluring weapons – standouts include bear claws and a transforming stick – Wild Hearts’ wacky ways click satisfyingly into place. As you grow stronger, encounters become predictably big, with developer Omega Force’s Dynasty Warriors experience translating into suitably loud and flashy on-screen showdowns.
Where Monster Hunter chucks system after system at you, almost willing newcomers to rage-quit, Wild Hearts drip feeds its glorious nonsense in a refreshingly patient way. The only caveat: it’s patience that you’ll need to repay in kind. While the battles shine, Wild Hearts drags you out of the fun at every other opportunity. As your wounded quarry limps away toward the next battleground, a lack of mounts make the journey tracking them a pace-killing slog. Downtime between fights is even worse: players must engage in an endless series of excruciating conversations before being sent back into the wilderness.
Never boar-ing… Wild Hearts. Photograph: EA/Koei Tecmo/Omega Force
While there’s a lot to like about this world, its characters certainly aren’t one of them – all the proper-noun-filled nattering will have you skipping more than a triple jumper – and the game’s camera is pulled in bafflingly close. Its claustrophobic view can make tackling these titans exasperating, especially in tight-knit environments.
These aren’t small quibbles, yet despite its flaws, I’m still having a great time with Wild Hearts. Thirty hours in, and I’m patiently slaying beast after beast, pining after that next enticing weapon upgrade and shiny armour set.
EA and Omega Force’s unlikely venture succeeds by being the perfect entry point to the hunter genre. This is the accessible radio single to Monster Hunter’s prog album odyssey: it’s silly, flawed and probably not destined to be an all-timer, but if you’re in the right mood, my god is it fun. Whether it’ll continue to dig its talons into me remains to be seen, but after years of frustration, I finally feel ready to dive further into this once-impenetrable genre.
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( With inputs from : www.theguardian.com )
Mumbai: In a heartwarming display of respect for religion, actor Karan Kundrra recently stopped his speech to listen to the call to prayer or Azaan during the promotional event of his most-anticipated upcoming show Tere Ishq Mein Ghayal. Sharing the video on his Instagram, Karan Kundrra’s fan page wrote, ”Being respectful towards other religions is a quality of a good human being.”
In the video that is going crazy viral on social media, Karan Kundrra is seen saying, ”Should we just pause for two minutes”. He explains that the reason for this is because the call to prayer, or Azaan, was being recited. After the Azaan concluded, Karan resumed his speech. After he finished his speech, someone in the audience thanked Karan for pausing his speech after hearing Azaan.
Fans heaped praises on the actor and lauded him for his gesture. His act of respect and religious sensitivity has won millions of the hearts of fans and has been widely praised on social media.
One of the fans wrote, ”Alhamdulillah… Aap ne kiye uske liye word kum hai.. respect bahot hai…lekin jaisa unhone kiye waise sab ne karna chahiye…koi bhi ho kisi bhi cast ka ho …samne wale ki izzat mai 1 min agar chup reh kar respect dege to kuch bhi nahi hota …ulta izzat badhti hai.’ (The words ‘thank you’ are not enough to express the respect due. However, everyone should act in the same way as he did, regardless of their caste or religion. If we show respect by being silent for just one minute, nothing happens, and instead, respect increases)”.
Another user wrote, ”Thanks for respect us , dusre k religion ko izzat dene se kisi ka deen nahi change hota thank u from the kore of my heart india mai aapke jese azeem insan bohut kum ,paye jate hai good job.”
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Tere Ishq Mein Ghayal is a romantic fantasy show and it stars Karan Kundrra, Gashmeer Mahajani and Reem Sameer Shaikh in lead roles. The show will premiere on February 13 and air Monday to Wednesday from 9 pm to 10 pm on Colors.
Mumbai: Shah Rukh Khan knows best how to make his Twitter feed interesting.
On Saturday, actress Renuka Shahane and her husband Ashutosh Rana went together to watch ‘Pathaan’. Pathaan features Ashutosh in a key role.
“Finally going to watch #Pathaan Mausam bilkul sahi hai kursi ki peti baandh li hai with Col Luthra ji,” Renuka captioned the post.
Soon after she shared the post, SRK took notice of it and reacted to it with a special tweet. While replying to Renuka, the superstar revealed that she was his ‘first heroine’. The duo worked together in the 1989 TV series, ‘Circus’.
“Col Luthraji ko bataya aapne ki aap meri pehli heroine hain!! Or should we keep it a Top Secret otherwise he may fire me from the agency,” SRK quipped.
Col Luthraji ko bataya aapne ki aap meri pehli heroine hain!! Or should we keep it a Top Secret otherwise he may fire me from the agency!!! https://t.co/GsCj5h0vC2
Responding to SRK, Renuka wrote, “Hahaha unsey koi baat chhupti kahaan hai? Aaphi ne unhe antaryaami kahaa hai aur chaahey jo ho jaaye, woh aapko fire nahi kar saktey kyunki jo kaam aap kartey hain woah koi aur nahi kar saktaa.”
Hahaha unsey koi baat chhupti kahaan hai? Aaphi ne unhe antaryaami kahaa hai 😃 aur chaahey jo ho jaaye, woh aapko fire nahi kar saktey kyunki jo kaam aap kartey hain woah koi aur nahi kar saktaa 🤗🙏🏾 https://t.co/D3JitHzCzg
In Pathaan, Shah Rukh essays the role of a RAW agent while Ashutosh is seen as RAW joint secretary, Colonel Luthra
Last month, SRK conducted an #AskSRK session where he praised Ashutosh Rana. When a netizen asked SRK to say something about Ashutosh, he replied, “He is a Gyaani (intellectual) and Antaryaami (one who knows from within) apart from being a very very fine actor.”
To that, Renuka responded, “You are unfailingly kind and generous and truthful,” along with smileys and hands joined together emoji.
Meanwhile, Pathaan has become the first Hindi film to breach Rs 400 crore nett in India. Helmed by Siddharth Anand, ‘Pathaan’ also stars John Abraham and Deepika Padukone in the lead roles. Apart from “seeti maar” dialogues and high-octane action scenes, it’s Salman Khan’s extended cameo as Tiger that has made the film more special.
It is the fourth instalment in the YRF Spy Universe and is SRK’s comeback film after ‘Zero’ (2018).
A video of a guy showing an old woman how to use a smart television has gone viral online.
The video, which was first published on TikTok and was then reposted on Twitter on Thursday, features a man educating an elderly woman about the many streaming apps available on a smart TV.
In the video, a man shows a woman how to use a smart television to search for various OTT (Over The Top) services. She learns from him that each of the squares on the television’s screen has its own unique app. The man says that all of them are apps, from Amazon Prime to Netflix and that they are unrelated to one another.
“We have Prime Video and we also have Netflix,” the man states.
The old woman then scrolls down to the streaming service and learns how to open it after he advises her to locate Netflix on the screen.
Shared just a couple of days ago, the post has already accumulated more than 5.5 million views and over 253.4K likes.