Dhanush, born Venkatesh Prabhu Kasthuri Raja, rose from humble origins to become an Indian film industry brilliant star. His transformation from a little boy with dreams to a multifaceted genius is nothing short of astounding.
The Acting Prodigy
Dhanush has demonstrated over and again that he is a screen genius with his exceptional acting abilities. He effortlessly captivates audiences with his performances, whether presenting profound emotions or humorous brilliance.
The Maestro of Diversity
Dhanush has played everything from romantic heartthrobs to ferocious thugs. His ability to jump between genres and characters with ease has gained him praise and affection from reviewers and fans alike.
A Game-Changer in Indian Cinema
Dhanush’s contributions to Indian cinema are not limited to acting. His ventures into filmmaking and music have changed the industry environment, establishing him as a game-changer and multi-talented artist.
Iconic Collaborations: Dhanush and Filmmakers
Dhanush’s fruitful collaborations with creative filmmakers have resulted in some of recent cinema’s most famous films. His collaboration with brilliant directors has resulted in cinematic jewels that are still being recognized.
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Tech entrepreneurs are far from the only ones to insist that they — and they alone — know the future. Financial fraudsters dating back to Charles Ponzi have explained away any oddities in their business with a winning smile and a promise that they’re just better at their job than everyone else. That attitude extends to some ambitious people who haven’t committed financial crimes as well. Even Mark Zuckerberg showed up to an early business meeting deliberately late and in pajamas, saying in so many words that he already knows best, that the meeting wasn’t worth his time. (This was due largely to conflict between investors and Zuck collaborator Sean Parker.)
But things have changed. People on the inside say there’s now a little more professionalism in Silicon Valley’s business meetings (even if all the pitches still include promises to change the world for the better).
“I drove through Union Square [in San Francisco] recently … and every corner was full of people in business attire,” said Victoria Hitchcock, a personal stylist and image-maker specializing in Silicon Valley. “I’ve never seen that in my entire life. I’ve seen it in New York, I’ve seen it in Europe, I’ve never seen it here.”
SBF, though, may have been projecting a certain kind of nostalgic image. Early tech founders dressed like they came from the inside of their parents’ garage because many of them did.
“Investors typically are not super savvy in terms of the new, more modern lifestyle that this generation of younger founders has taken on. … Maybe he figured, ‘If I look authentic and hardcore, maybe I did work out of a garage,’” said Hitchcock.
Bankman-Fried was making enough money — and was confident enough in the version of himself he presented to the world — that his image worked. It made him a known, if eccentric, quantity. And yet, “looking authentic” is not the same as being so.
“[Real authenticity] is not rooted in a desire to be authentic,” said a founder in Silicon Valley who ignored investment queries from FTX. “When you see this [desire], you get people like Sam Bankman-Fried and Elizabeth Holmes, who become obsessed with their unique image as their primary asset.”
Novel entrepreneurs with a viable product idea and an ability to lead a team are in short supply, no matter the industry. In Silicon Valley, finding one can be the ticket to an investment worth billions.
“Authenticity is maybe the most important part of a pitch at an early stage company. … Ultimately, they’re investing in the founder,” said the same founder.
Becoming famous, which Bankman-Fried (and Elizabeth Holmes or Adam Neumann) conspicuously pursued, can help influence people to buy an idea or a company. But the hype machine only lasts so long. In the wake of FTX’s collapse, which came amid the Fed raising interest rates, the tech industry getting hit with massive layoffs and investors tightening purse strings, there’s a new style of presentation that’s in vogue, according to Hitchcock.
In a world of tightening purse strings, with less money moving in the industry, experts argue that hucksters will become less common. Gone are the overnight success stories of myopic founders with adolescent trappings who sleep on beanbags. They’ve been replaced by a desire for “adults in the room,” hence the business attire returning to business meetings. Free-wheeling tech influencers are waning. The hottest phrase in California is due diligence.
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( With inputs from : www.politico.com )
Dr Samina Raja plans cities, towns, and regions to promote health and food equity. An award-winning professor and founder of a globally recognized Food Systems Planning and Healthy Communities laboratory, operating from the University of Buffalo, she and her team conduct research on how to develop equitable, sustainable, and healthy cities. Her research has been used to advise local and national governments within and outside the US, and international organizations like the UN’s FAO. In a freewheeling interview with Masood Hussain, she offers her ideas about Kashmir of her imagination
KASHMIR LIFE (KL): Food security is a major concern in developing countries. What are its manifestations and current global status?
DR SAMINA RAJA (DSR): Food insecurity has varied definitions but is often defined as the chronic lack of access to food. Food insecurity is different from hunger. Hunger is a physical sensation tied to undernourishment while food insecurity is about chronic deprivation of food over time. In 2021, more than 800 million people were affected by hunger, and around 2.3 billion people globally were food insecure. Though food insecurity is a problem globally, it is more prevalent in the developing world. For example, the prevalence of undernourishment is 9.8 per cent globally, while in South Asia it is nearly 16.9 per cent. It is ironic that farmers from developing countries who grow vegetables and fruits for the world often face food deprivation. The persistence of food insecurity across the globe is tied to the lack of food sovereignty or the lack of farmers’ control over the means of food production.
KL: Guide us through your journey from Srinagar to the State University of New York, University at Buffalo.
DSR: I am a trans-disciplinary scholar and a professor at the State University of New York, University at Buffalo. I was trained as a civil engineer as well as an urban planner. I completed an undergraduate degree in civil engineering from Jamia Millia Islamia, a Master’s (in Housing) from the School of Architecture and Planning (New Delhi), and a PhD in urban planning (with a focus on fiscal impacts of land development). My career trajectory blended science, technology, engineering and urban planning. As a civil engineer, I was trained to build but not necessarily trained to think about why we build. Motivated by concerns about the impact of building on human health and health equity, I decided to pursue advanced training so I could use my engineering and urban planning skills in the service of health equity. Health equity is a condition in which all people in a society can lead healthy and full lives, including those with the fewest resources. This interest in equity led me to pursue a PhD in urban planning at the Department of Urban and Regional Planning, the University of Wisconsin-Madison in the US.
I recall the first class I completed during my PhD programme was about ethics, which, despite being an important aspect for all disciplines, is not widely discussed. The course focused on fundamental questions tied to equity, especially about why, and for whom, one should plan or build. The goals of the course were aligned with my values and satisfied my curiosity. As a PhD student, I was able to connect a values-based education to technical questions. Ultimately, my PhD focused on how urban planners measure the fiscal impacts of land development and the implications of such measurements for the well-being of present and future generations.
Prof Samina Raja heads the Food Systems Planning and Healthy Communities laboratory in the University of Buffalo, New York. Photograph by Alexender J Becker
In western urban planning, there is a concept called the ‘highest and best use of land’. Unfortunately, this concept has also been exported to Kashmir and South Asia. There is a heuristic notion that if, for example, farmland is converted into a commercial building, some see the conversion as a measure of development. In the US, cities pursue such development because it is presumed to generate money. This presumption is based on widespread, but outdated, measurement techniques that urban planners use to judge whether land development is “good” or “bad”. In my doctoral research, I measured the accuracy of these techniques using statistical models. I found that the common techniques that planners use to measure the fiscal impacts of development are flawed. In the subsequent body of scholarship for the last 20 years, I have found that misguided land use planning and development can be harmful to public well-being. To translate this simply: if you see a patch of farmland, or say, a paddy field, converted into a mansion and you think it’s a sign of progress, it turns out that it’s not. It’s complicated.
KL: Unlike our universities, PhD in the west is a systemic and systematic investment in an individual. Did your dissertation change anything?
DSR: In the long run, yes. Not immediately though. Translating research into action takes time. My dissertation generated more questions (about existing urban planning procedures) than offered immediate solutions. This, in my judgment, was the key to my long-term research success. One of the key questions that it generated was to push me (and planners) to rethink the utility of the so-called “land use hierarchy,” and it forced me to re-imagine ‘how to plan?’ It set me on a trajectory to develop tools and resources for local governments throughout the United States through a sub-field called food systems planning. Food systems planning questions the traditional way in which urban planning has occurred for decades across the globe. My research lab is the first one in the world that used urban planning to improve food systems (there are other labs now as well). So, I was able to take my learning from my dissertation and develop new – healthier ways – of planning cities. We develop technical assistance models and training for a variety of audiences including researchers, city governments, and international organizations. I have been doing research for more than 20 years but I couldn’t tell you the immediate impact of my dissertation. Cumulatively, my research has generated tools that have helped cities, towns, and other types of communities plan in more equitable, sustainable, and healthy ways.
KL: What has been the contribution of your lab?
DSR: As I noted earlier, our research team is one of the earliest in the world to study and develop urban planning strategies for building equitable, healthy, and sustainable food systems and communities. We are an interdisciplinary team so we use quantitative methods as well as qualitative methods to understand the impact of the built environment on human health (at any given time our collaborators include geographers, physicians, public health experts, urban planners, policy scholars, and computer science experts). With Geographic Information Systems (GIS), surveying, and other technologies, we monitor the impact of urban planning on human health. We have published work that shows disparities in the built environment, as well as the impact of the design and quality of one’s neighbourhood on the incidence of chronic diseases.
Our lab is well known for translating research into policy guidance, training, and action on the ground. To give some examples, in the US, I led the writing of the Planners Guide to Community and Regional Planning for the American Planning Association, the largest professional association of urban planners in the US (2008). Because local governments in the US needed training to enact plans that promote healthy and equitable food systems (only 1 per cent of local governments in the US reported being equipped to engage in food systems planning), in 2012, my team launched the Growing Food Connections, a national initiative that provides guidance to US local governments on food systems planning. This initiative, which received US $3.96 million from the US government, is a game changer because it provides easy access to information to local governments across the United States. Planning to protect food systems and health is a new sub-field even in the US and globally. So, my lab’s contribution has been to change the field of urban planning in the United States.
Similarly, our work has also expanded globally. My team has authored guidance on local government planning for food systems for the Food and Agricultural Organisation of the United Nations. Our lab routinely aids local governments across the United States to better understand the impact of plans on food systems and human health (in Kashmir these are called Master Plans).
KL: What have been the major findings of your investigations or academic probes?
DSR: We have a lot of different studies, so it is difficult to summarize 20 years’ worth of work. That said, I will summarize the major findings by saying that urban planning without considering the health and food system is perilous to the health and well-being of current and future generations. Here are some examples: Scientific results show that urban planning patterns (USA) undermine the health and well-being of marginalized people, especially the Black, immigrant, and indigenous peoples (we have many different studies showing this). Poor urban planning has especially harmed human health by encouraging automobile-centric land use patterns (e.g., four-lane highways are privileged over farmland). On aggregate, such land use patterns discourage physical activity (walking) and limit communities’ ability to grow their own food. The US has high rates of chronic disease – much of these can be attributed to such environmental changes.
New models of planning from our studies suggest that planning for healthy, equitable, and sustainable cities will benefit from protecting the food system. We have found that science can learn from the experiences of farmers on how to plan and design communities. So, in one of the UN-supported projects we tracked farmers’ experiences in different parts of the world (Jamaica, Ghana, and India) to understand the impact of urban planning. The findings of the study are straightforward and will not surprise anybody. Today, globally, urban planning decisions are being implemented to undermine food sovereignty and food security. They are especially undermining farmland preservation and farming.
This is also true in Kashmir as land use change is harming smallholder farmers. On the flip side we have noticed that in some places, in fact also in Srinagar, even though urban planning land use decisions are negatively impacting farmers, small-scale farmers are trying to resist bad urban planning decisions. Farmers are, in many ways, at the frontline of protecting the health of their community. For example, nutrition rates and food security rates in the Srinagar district are better than in many parts of South Asia including the Indian subcontinent. One plausible reason is that historically Kashmiris have had egalitarian land ownership patterns, where people make use of their land holdings to grow vegetables for themselves and others. Protecting land and using it to grow food for oneself is a health-enabling practice. So even though negative urban planning decisions are impacting people’s health, farmers are protecting the health of people. I think Kashmiris must understand that you must protect their local food supply chain; you can eat, buy and consume Kashmiri food that is not processed. That means food on your dastarkhaan needs to come from a nearby farm or vaer. Eating haakh (Collard Greens) is better than eating any other packaged food that travels from distant places. So, if the food comes wrapped in packages cut it out of your diet, and if it comes from the soil eat it! I would say that we are learning through our studies that many traditional Kashmiri ideas were far healthier than some of the so-called modern ways.
KL: If you are told to reconstruct Srinagar tomorrow, what will you do?
DSR: My answer will likely surprise some people in Kashmir, especially given how I observe planning to unfold in Kashmir. The first thing I would do is sit down with people to understand their aspirations for Srinagar. The idea that a planner is a genius with grand ideas is bogus. I am sorry to put it just plainly. The idea of an urban planner or a government deciding what is good for a city is an exported model from the West. The best ideas come from the community. In the case of Srinagar, if I could, I would sit with farmers in Srinagar and ask them how they would protect the future of their neighbourhood, and how they would develop the area so that it is protected for them and their community. Then, this process would generate context-sensitive ideas for how to plan for healthy land use (this is a process that my team has used in other parts so the world, for example).
So, planning is not only a scientific-technical exercise. It is an exercise to understand the problem at hand and return power to the people. I can give examples of prescriptions and models that work elsewhere but the first answer is: all planning must begin with inclusive and equitable processes that privilege people with the least amount of power. In Srinagar, these people are farmers. We depend on the farmers, but we are not listening to them.
It must be said that Srinagar has quite a brilliant policy framework (in its master plan). I have reviewed it very closely and I followed the process as well. It recognizes the unique ecology of the city, and its unique heritage, and lays out a framework that is comparable to many plans globally. However, the policy framework and the implementation guidelines are inconsistent. That said, here are some practical steps to consider: protect the land from conversion and development. In Kashmir, we are blessed with fertile lands and water bodies, but we are putting driveways, roads, highways, flyovers, and malls on them (I have seen a hotel construction in a flood channel of all the places). All of this so-called development is bad for human health (and the environment). Globally cities are adding green infrastructure such as bioswales, community gardens, urban farms, edible landscapes, etc., but unfortunately, Srinagar is destroying its existing natural green infrastructure (In city of Montreal, Canada they are literally dismantling flyovers but in Srinagar, we are building them).
Some may say Srinagar needs flyovers for reduced traffic congestion and mobility. I would agree that we need reduced congestion and mobility – but evidence from around the world shows that roads and flyovers (and cars) are not the way to improve mobility (proximity to highways is linked to a higher incidence of asthma, for example). There should be investments in ecologically sensitive and healthy forms of travel, including pedestrian, bicycle, bus, and trolley-based travel infrastructure. If you visit older European cities or even Global South cities, we see the use of electric trolleys–that may be a good substitute here.
Until urban planning looks different in Kashmir, Kashmiris can also take matters into their hand: consider not building cement/concrete driveways within your homes – opt for surfaces that allow water to percolate into the ground; bicycle or walk rather than drive a car (if you can), and, grow and eat your own local food.
KL: We live in an era where we are capable of altering the genes of life forms. Genetically Modified food is one such example. Where do you place yourself on the ethical debate of using GM foods?
DSR: One of the things about scientists and researchers is that they don’t answer questions that are outside of their domain. So, I will politely say that I am not going to answer that question, but I will tell you who can. A brilliant and amazing colleague at SKUAST named Dr Khalid Masood with who I have worked can answer this question. He could probably do genetic modifications in his sleep! You should ask him. I remember when I visited his research lab, there was a poster over the door, which said, and I quote, “Yes we can clone dinosaurs but is it a good idea?” That said, I will redirect your question to ask why aren’t we using our scientific skills to protect those plants and foods that are indigenous and good for us, for example, haakh (collard greens). With a number of colleagues in Kashmir including Athar Parvaiz, Khalid Masoodi, Shakeel Romshoo, and others, we are trying to document the power of haakh for human health as well as environmental health. Briefly, haakh is from the Brassica family. It is nutritious, it is cheap, it is culturally celebrated, and it is available locally. For goodness sake, tell me why do we need genetically modified food when we have this amazing vegetable. I encourage people to follow Dr Khalid Masoodi’s work who will hopefully share his result on haakh in the near future.
By all accounts, including his own, David Crosby could be a tricky and difficult character. His career was regularly punctuated by angry arguments, bitter fallings-out, sackings, general discord. Joni Mitchell once waspishly suggested he was “a human-hater”. His former bandmate Roger McGuinn described his behaviour while a member of the Byrds as that of a “little Hitler”. Perhaps the best way to describe him was mercurial. He could be utterly charming and mischievously funny – fans gave him the affectionate nickname the Old Grey Cat – and incredibly generous to other musicians: Mitchell, among others, owed him a great deal. He could also be impossible: overbearing, mouthy, convinced of his own brilliance.
The thing was, he was right: Crosby genuinely was brilliant. He was blessed with a beautiful voice and an uncanny gift for harmony: in the early years, when the nascent Byrds were still blatant Beatles copyists called the Beefeaters, his vocals could make even their weakest material sparkle. He was a fantastic, forward-thinking songwriter. The jazz-influenced Everybody’s Been Burned sounded impressively sophisticated – a cutting-edge example of pop’s increasing maturity – when the Byrds recorded it in 1966. It turned out that Crosby had written it in 1962 while still a struggling folkie. Listening back to the multi-platinum albums of Crosby Stills & Nash (CSN), what’s striking is how original and idiosyncratic his songwriting contributions were.
Yet the Byrds had initially demurred from recording his material: it was hard to find room in among the souped-up folk songs and Dylan covers and the work of the band’s frontman McGuinn and chief songwriter Gene Clark. But almost as soon as Crosby got space on their albums, he changed the band. He forced his fellow Byrds to listen to a collection of Ravi Shankar ragas and John Coltrane’s Africa/Brass over and over again while touring the UK: the two albums inspired the groundbreaking Eight Miles High, widely considered to be the first psychedelic single ever released. He was also the Byrds’ most enthusiastic chronicler of the LSD experience, which informed the frantic I See You and the suitably dazed-sounding What’s Happening?!?! on 1966’s Fifth Dimension.
Emboldened, Crosby didn’t just fight for more room on its follow-up, Younger Than Yesterday, he insisted the band record some of his most adventurous and outre material: not just Everybody’s Been Burned but Mind Gardens, which ventured into freeform territory, “neither rhymed or had rhythm” in Crosby’s words, and, in truth, wobbled a little unsteadily along the line that separates adventurousness from self-indulgence. He successfully lobbied for his song Lady Friend to be released as a single: it was both a flop and a superb song, richly melodic, boasting an intricate brass arrangement and complex vocal harmonies. Crosby performed the latter alone, wiping his bandmates’ contributions and replacing them with his own multi-tracked voice.
Stephen Stills, David Crosby and Graham Nash AKA Crosby Stills & Nash. Photograph: JLS/AP
That didn’t go down terribly well with the other Byrds, becoming a symbol of increasingly strained relations between Crosby and the rest of the band. The others hated celebrity, remaining surly and taciturn in interviews. Crosby loved fame, rarely missing the opportunity to offer his lengthy thoughts on drugs, politics or free love to journalists or indeed live audiences. Then there was his increasingly domineering attitude in the studio: “I was,” Crosby later said, “a thorough prick.” The band fired him midway through the making of their next album, The Notorious Byrd Brothers, although tellingly they kept his songs: Draft Morning, Tribal Gathering and Dolphin’s Smile were all flatly brilliant, although clearly not brilliant enough for the band to endure his presence any longer.
Crosby seemed uncertain what to do next. He encountered Mitchell performing in a coffee shop and kickstarted her career, helping her land a recording contract and producing her debut album. And he stockpiled new songs, waiting for the opportunity that finally presented itself when the Hollies’ Graham Nash turned up at a house in LA where Crosby and Stephen Stills, formerly of the Buffalo Springfield, were jamming, and added a third harmony to the duo’s vocals.
Crosby Stills & Nash: Long Time Gone – video
Everything clicked perfectly on CSN’s eponymous 1969 debut. The trio’s harmonies, usually arranged by Crosby, were astonishing. All writers, they had a surfeit of great material: even in such exalted company, Crosby’s Guinnevere, an expansive product of his obsession with finding new tunings for his guitar, stood out. And the album’s sound and mood, relaxed even on rockier tracks such as Crosby’s Long Time Gone, fitted the moment: music to soothe listeners as the 60s party drew to a messy conclusion. It was a huge hit, establishing CSN as the premier example of that most late 60s of concepts, the supergroup. But there were issues. Relations in the band could be volatile, a state of affairs not much helped by their increasing enthusiasm for cocaine. They became more volatile still when Stills’ brilliant but erratic former Buffalo Springfield bandmate Neil Young joined, and Crosby’s girlfriend Christine Hinton was killed in a car accident: Nash opined that Crosby was “never the same” after identifying her body.
Still, for a while at least, the music continued to flow from him. Not just Crosby Stills Nash & Young’s (CSNY) multi-platinum album Déjà Vu – home to Crosby’s twitchily paranoid Almost Cut My Hair – but the frankly extraordinary 1971 solo album, If I Could Only Remember My Name: haunting, richly atmospheric, the vocals frequently wordless and, on closer I’d Swear There Was Somebody Here, authentically unsettling, it might be the fullest expression of Crosby’s restless sense of adventure.
Crosby pictured with Joni Mitchell, whose career he kickstarted. Photograph: Sulfiati Magnuson
Said adventurousness was there again on 1972’s Graham Nash David Crosby, recorded by the duo when CSNY proved incapable of holding together long enough to follow-up to Déjà Vu. The album’s poppier material was Nash’s work, while Crosby came up with more expansive and exploratory exercises in mood and atmosphere of which Games was a particularly great example. The duo would reconvene, making the beautiful Wind on the Water, after CSNY’s famously turbulent 1974 tour came to a premature conclusion. The quartet had been lured back together by the prospect of making vast sums of money, although the omens were there – they had already tried and failed to record a new album. Proceedings swiftly degenerated into a bacchanal of coked-out excess and off-key vocals that Crosby dubbed “the doom tour”.
But things were even more doom-laden than Crosby thought, or the sunlit tone of Wind on the Water suggested. His increasing addiction – he moved from snorting cocaine to freebasing and using heroin – began to affect his writing, at least in terms of quantity. A man who had battled the Byrds to get as many of his songs as possible on their albums managed only three compositions on 1977’s CSN, an album that sold 6m copies: if the sense of exploratory magic that sparkled throughout Crosby Stills and Nash’s debut had been replaced by solid professionalism, its sound fitted neatly with that year’s vogue for smooth, Californian rock (tellingly, it was at No 2 in the US charts when Fleetwood Mac’s Rumours was at No 1). Thereafter, he stopped writing almost entirely. He cobbled together a solo album from unreleased songs he had written in the 70s. Rejected by his record label, it nevertheless provided the source for his solitary contribution to CSN’s next album, 1982’s Daylight Again: that the implausibly lovely Delta was one of its scattered highlights only underlined the talent that Crosby seemed intent on throwing away.
Crosby Stills & Nash: Delta – video
Just how intent he was is laid out in his 1988 autobiography Long Time Gone, a book that spares few details in documenting his descent: the open sores that covered his face and body, the squalid conditions in which he and partner, Jan Dance, lived, the crowd of dealers and fellow addicts he surrounded himself with – so sinister that even the musicians still willing to work with him dubbed them “the Manson Family” – the endless string of drug and firearms busts. At one juncture, Crosby had a drug-induced seizure while driving a car at 65 miles an hour. At another, Dance was held hostage by a dealer to whom Crosby owed money while he was out on the road. His addiction was such that he refused to let go of his freebase pipe even when a policeman was arresting him backstage. Nash began publicly expressing the view that Crosby was going to die; Young responded to his plight with the scathing Hippie Dream, a song that depicted Crosby in his ruin, “capsized in excess”. His deterioration was made very publicly visible during a chaotic CSNY performance at Live Aid. Running unsteadily through their brief set, Crosby looked decades older than his fellow musicians. “A 14-year addiction to heroin and cocaine has left David Crosby looking like a Bowery bum,” wrote Spin magazine.
Backstage at Live Aid, Young had suggested he would consent to a new CSNY album if Crosby cleaned up. After Crosby emerged from a nine-month stretch in prison on drugs and weapons charges – a sentence that almost undoubtedly saved his life – Young proved true to his word. Soulless and stilted, American Dream was a largely awful album – Compass, which Crosby had written in prison, was a rare highlight among a dearth of decent material – and, if anything, the subsequent CSNY album Live It Up was even worse, a hopeless attempt to marry their harmonies to the booming drums and glossy synth production that was still mainstream US rock’s default setting. It was a problem that also afflicted his post-prison solo albums Oh Yes I Can and Thousand Roads, although anyone prepared to dig deep would find a scattering of songs suggesting his skills were undiminished – the reflective and rueful Tracks in the Dust, the wordless Flying Man on the former, the Mitchell co-write Yvette in English on the latter. And, as Crosby put it: “I was just glad to be there at all.”
Crosby with his wife, Jan Dance, in 2014. Photograph: Michael Nelson/EPA
Meanwhile, CSN remained a huge live draw – even more so when Young could be inveigled to join them – while Crosby’s solo career began to blossom. He formed the jazzy trio CPR with James Raymond, who had only found out he was Crosby’s son when he was 30. Raymond also worked on his father’s strong 2014 solo album Croz. Mischievous as ever, Crosby was an enthusiastic participant in CSNY’s confrontational 2006 Freedom of Speech tour, its setlist weighted in favour of Young’s recent Living With War, an album that protested against the George Bush administration and the conflict in Iraq. Their performances provoked boos and walk-outs from conservative fans, but Crosby remained gleefully unrepentant: “Who are these people who come to a CSNY show and complain that we’re political?”
Age and sobriety didn’t diminish Crosby’s capacity to cause trouble. A projected CSN album with Rick Rubin had to be abandoned because Rubin couldn’t get along with him. Next, he fell out very publicly with both Young and Nash – he criticised both for leaving their wives for younger women – which brought both CSN and CSNY to a permanent conclusion. Crosby occasionally expressed regret, but in reality seemed energised by the finality of their split.
Certainly there was a noticeable upswing in the quality of his music. Recorded with much younger musicians, 2018’s Here If You Listen was the best and certainly the most consistent album Crosby had made since the early 70s. On its opener Glory or the poignant Your Own Ride (“I’ve been thinking about dying, how to do it well,” sang Crosby, who was plagued by ill health) it suggested an artist enjoying an unexpected creative Indian summer, an impression underlined by last year’s Live at the Capitol Theatre, which melded CSN classics, songs from If I Could Only Remember My Name and more recent material into an impressive summation of his career.
He also became an enthusiastic user of Twitter – he was still tweeting the day before he died – on which he was variously funny, provocative, infuriating, generous, wilfully argumentative, clearly obsessed with music, and never above reminding the world of his own talent. He was still tweeting right up to his death: his anger about US politics and the environment, praise for photographs of particularly well-rolled joints, approving retweets of fans praising his music – and of an old quote from his former bandmate Stills, a final moment of consensus about their motivation: “The joy of making a wonderful noise together.”
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( With inputs from : www.theguardian.com )