Tag: films

  • BIG update: Salman Khan stops signing films, know why

    BIG update: Salman Khan stops signing films, know why

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    Mumbai: Salman Khan, Bollywood’s favourite “Bhaijaan,” is known for his successful career in the entertainment industry. However, his most recent release, ‘Kisi Ka Bhai Kisi Ki Jaan,’ is struggling at the box office, leaving the actor in a reflective mood.

    Despite its holiday release, the film failed to create wonders at box office, prompting Salman to question his project selection.

    And now, latest news has it that Salman has stopped signing new project sparking speculations about his retirement. According to a report in ETimes, Salman has been offered six new projects, but the actor is taking a break and will wait until the release of ‘Tiger 3’ in November to gauge public reaction before signing anything new. As a result of this news, Salman’s fans may miss out on a new film for Eid 2024.

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    Fans are looking forward to Salman’s upcoming project, ‘Tiger 3,’ directed by Maneesh Sharma and starring Katrina Kaif and Shah Rukh Khan. The star hopes that the success of this film will give him more confidence in choosing future projects.

    The ‘Dabangg’ actor has recently been in the news for receiving various death threats. The actor had opened up about the same in a recent show and said, “Security is better than insecurity. Yes, security is there. Now it is not possible to ride a bicycle on the road and go alone anywhere. And more than that, now I have this problem that when I am in traffic, then there is so much security, vehicles creating inconvenience to other people. They also give me a look. And my poor fans. There is a serious threat that’s why there is security.”

    Despite the difficulties, Salman Khan’s stardom remains unaffected, and his fans eagerly await his next move. The Bollywood superstar has always been a force to be reckoned with in the industry, and his upcoming projects will undoubtedly excite his fans to new heights.



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    ( With inputs from www.siasat.com )

  • Salman Khan’s TOP 16 films that earned Rs 100cr at box office

    Salman Khan’s TOP 16 films that earned Rs 100cr at box office

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    Mumbai: Salman Khan is a Bollywood actor known for his outsized roles and box-office success. He is one of India’s most popular actors, and his films frequently gross more than 100 crores at the box office. In fact, Salman Khan is the only actor in Bollywood who has had 16 films gross more than 100 crores. His latest film Kisi Ka Bhai Kisi Ki Jaan too managed to enter the club despite receiving poor ratings for the storyline and its songs. In this write-up, let’s take a closer look at his 100-crore-films and what makes them so popular. (Below box office collections are as per various media reports).

    Salman Khan’s Movies That Earned Rs 100cr And More

    • Ek Tha Tiger (2012) – A spy thriller film in which Salman portrayed a RAW agent. At the box office, the film grossed Rs. 198.78 crore.
    • Dabangg 2 (2012) – A follow-up to the 2010 film Dabangg, in which Salman played Chulbul Pandey. The film grossed Rs. 155 crore at the box office.
    • Bodyguard (2011) – An action-comedy film in which Salman plays a bodyguard. At the box office, the film grossed Rs. 148.86 crore.
    • Ready (2011) – A romantic comedy film in which Salman played a guy who helps people fall in love. At the box office, the film grossed Rs. 120.82 crore.
    • Dabangg (2010) – A cop-drama film in which Salman portrayed Chulbul Pandey. At the box office, the film grossed Rs. 141.24 crore.
    • Jai Ho (2014) – An action-drama film in which Salman portrayed an ex-army officer. The film grossed Rs. 116 crore at the box office.
    • Bajrangi Bhaijaan (2015) – A drama film in which Salman played the role of a man who helps a young Pakistani girl. At the box office, the film grossed Rs. 969.06 crore.
    • Prem Ratan Dhan Payo (2015) – A family drama in which Salman portrayed a prince. At the box office, the film grossed Rs. 431.37 crore.
    • Sultan (2016) – A sports drama film in which Salman played a wrestler. At the box office, the film grossed Rs. 623.33 crore.
    • Tubelight (2017) – A historical-war drama film in which Salman played a character who is slow to grasp concepts. At the box office, the film grossed Rs. 121.25 crore.
    • Tiger Zinda Hai (2017) – A spy thriller in which Salman played a RAW agent. At the box office, the film grossed Rs. 565.1 crore.
    • Race 3 (2018) – An action-thriller film in which Salman portrayed a family man. The film grossed Rs. 303 crore at the box office.
    • Bharat (2019) – A drama film starring Salman as a man who witnesses India’s history. At the box office, the film grossed Rs. 325.58 crore.
    • Dabangg 3 (2019) – A cop-drama film in which Salman portrayed Chulbul Pandey. At the box office, the film grossed Rs. 230.93 crore.
    • Kick (2014) – The story follows Devi Lal Singh (Salman Khan), a thief who steals from the rich to give to the poor. At the box office, the film grossed Rs 402.85 crore.
    • Kisi Ka Bhai Ki Jaan (2023) – A story about the younger siblings having to wait until their elder brother (Salman Khan) marries, but he’s getting older and still single. The film will soon cross the 100 crores mark.

    Salman Khan’s 100-crore films reveal his star power and ability to draw audiences to theatres. Despite criticism for his casting choices and lack of versatility as an actor, Salman Khan has remained one of Bollywood’s most sought-after actors, and his box office success only adds to his stardom.

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    ( With inputs from www.siasat.com )

  • ‘Sheer Qorma’ maker says films can make society accept queer rights, says director

    ‘Sheer Qorma’ maker says films can make society accept queer rights, says director

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    Bengaluru: With the Supreme Court looking into the same-sex marriage issue, one of the oldest civilisations, and the largest democracy in the world, waits with bated breath for the outcome.

    For the LGBTQ community, after the historic moments in 2018 when homosexuality was finally decriminalised following the Supreme Court ruling, this could well be the next defining moment in its quest for equality in society.

    Part of the prevailing optimism that things will change for the better, is fuelled by the changing societal attitudes towards issues like same-sex relationships.

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    The slow but steady acceptance of movies in this genre is also playing a part in changing perceptions towards sexual minorities.

    Realizing the limited opportunities available to the community to bring their stories to the screen, UK-based Indian filmmaker Neeraj Churi started Lotus Visual Productions with the sole purpose of producing and promoting South Asian LGBTQ+ films worldwide.

    He has been associated with several film projects including ‘Sheer Qorma’ (2021), ‘Queer Parivaar’ (2022), ‘Gair’ (2022) and ‘Muhafiz’ (2022).

    The latest production by Neeraj, ‘Ek Jagah Apni’, has received global recognition for its raw portrayal of the transgender community.

    ‘Ek Jagah Apni’ was also selected for Cannes Marche Du Film 2022 as part of NFDC-Goes-To-Cannes. The film premiered at the Tokyo International Film Festival 2022 and won the Certificate of Merit as well as a special mention for two leads at the International Film Festival of Kerala 2022.

    Churi feels that movies can be catalysts for societal change. “Those who are in the process of coming out, or are yet to come out probably feel more comfortable and less confused about their gender or orientation. They also feel less overwhelmed when they eventually decide to ‘come out’.”

    Films and the media can build empathy and understanding. By amplifying marginalized voices and creating diverse perspectives, we can move towards a more equitable and just society where everyone feels seen, heard, and valued.

    Cinema, when seen by the wider community hopefully helps them understand that the existence of the LGBTQ+ community is not just a Western implant, Churi told IANS.

    He opined that legalizing same-sex marriage or broadening the term to marriage equality to include trans individuals, is not just a matter of equality, it’s a matter of dignity and humanity for those involved.

    “It’s about providing the LGBTQ+ community with the same legal and social recognition that heterosexual couples receive. We are talking about access to insurance, medical benefits, financial nominations and the same benefits that spouses have. It’s about creating a more inclusive and accepting society that normalizes queer people as opposed to making them seem like objects to be afraid of,” he elaborated.

    On a lighter note, the filmmaker feels that the legal sanctity of same-sex marriages will also lead to economic benefits for society at large.

    “The Indian wedding industry is already a behemoth — $50 billion — and by opening it up to same-sex couples, we can tap into a whole new category of couples across the globe looking at India as a destination to get married. Here’s hoping that love prevails over hate and bias,” he signs off.

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    ( With inputs from www.siasat.com )

  • Working in South films helped Pooja Hegde improvise dialogues in ‘KKBKKJ’

    Working in South films helped Pooja Hegde improvise dialogues in ‘KKBKKJ’

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    Mumbai: Actress Pooja Hegde plays a Telugu girl in the upcoming theatrical film ‘Kisi Ka Bhai Kisi Ki Jaan’. The actress shared that having worked in South Indian film industries for over a decade trained to make improvisations in her dialogues while filming the Salman Khan-starrer.

    The actress told IANS: “Years of working in the South Indian film industries have made me proficient with regard to improvising the lines of my character instantaneously on sets if the character speaks any of the south Indian languages like for this part in ‘Kisi Ka Bhai Kisi Ki Jaan’.”

    Having equal proficiency across languages hugely helps an actor to get the essence of a character coming from a particular background.

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    “I could easily mouth the dialogues in Telugu or improvise my lines because I have been working in that medium for quite some time now and have a decent understanding of that world and the culture,” the actress concluded.

    ‘Kisi Ka Bhai Kisi Ki Jaan’ is set to arrive in cinemas on April 21 on the occasion of Eid.

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    ( With inputs from www.siasat.com )

  • ‘Kisi Ka Bhai Kisi Ki Jaan’ trailer has bit of all hit Salman Khan films

    ‘Kisi Ka Bhai Kisi Ki Jaan’ trailer has bit of all hit Salman Khan films

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    Mumbai: Brace yourselves, for Salman Khan is returning as the lead player in a theatrical film after a four-year break. The release of the ‘Kisi Ka Bhai Kisi Ki Jaan’ trailer, naturally, had to be a big-ticket affair and it did turn out that way on Monday.

    The trailer features Salman as the ‘bhai’ of the masses and ‘jaan’ of families with an action-packed treat.

    It kicks off with Salman reciting the opening sholka of the ‘Bhagavad Gita’ and deep dives into the budding romance between Bhai and his leading lady on screen, Pooja Hegde, transitioning immediately into an action saga with “face-breaking, bone-cracking, neck-twisting, hammer-hitting action”.

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    The trailer is over three minutes in length and boasts of all aspects of a commercial formula-led Hindi film. It has bits of family emotions, comedy, romance, drama, music, and of course, action.

    It rests heavily on Salman’s shoulders, who does most of the heavy-hitting. It also comes across as a mix of previous Salman Khan films such as ‘Wanted’ (pay attention to the train action sequence), ‘Jai Ho’ (the whole talk about non-violence) and, of course, over-the-top action, which is the staple of Salman Khan films.

    Scheduled to hit the big screen on April 21, coinciding with Eid, ‘Kisi Ka Bhai Kisi Ki Jaan’ is a Hindi action drama directed by Farhad Samji and produced by Salman Khan Films.

    It features Salman Khan and Telugu stars Venkatesh, Pooja Hegde and Jagapathi Babu in the lead roles with an ensemble supporting cast, extending from ‘Bigg Boss’ alums Shehnaaz Gill and Abdu Rozik to Salman’s ‘Maine Pyar Kiya’ co-star Bhagyashree.

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    ( With inputs from www.siasat.com )

  • “There’s no wall between South and North films,” believes Samantha Ruth Prabhu

    “There’s no wall between South and North films,” believes Samantha Ruth Prabhu

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    Mumbai: Film actor Samantha Ruth Prabhu has come down to Mumbai for the promotion of her upcoming film ‘Shaakuntalam’.

    As the barrier between north and south films has been diminishing over the years, Samantha told ANI, “There’s no wall between North and South films now. I don’t want to engage in any debate over this. As an actor, it gives me immense pleasure that I can work in films across languages. Nowadays, audiences also watch movies from different languages.”

    ‘Shaakuntalam’ is based on a popular Indian play ‘Shakuntala’ by Kalidasa. Shakuntala was the wife of king Dushyant and the mother of emperor Bharata.

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    The Pan-India mythological romantic drama will be out in Hindi, Tamil, Malayalam, and Kannada.
    Asked about the movie, Samantha said, “It’s a love story. And love is like a universe in itself. Our cultural heritage is rich. And the story of this film is inspired from one of our oldest classics. Apart from the story, the movie has high-level graphics and special effects.”

    Dev Mohan has been paired opposite Samantha. Expressing her feeling, she said, “I am excited as well as a bit nervous. The budget of the film is quite high. But I feel, audience will love the movie.”

    Samantha was recently seen in the sci-fi thriller film ‘Yashoda’ which received positive responses from the audience.

    She will be next seen in an upcoming romantic film ‘Khusi’ opposite Vijay Deverakonda and in the action thriller web series ‘Citadel’ alongside Varun Dhawan.

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    ( With inputs from www.siasat.com )

  • ‘I ll stop doing films’: Jr NTR’s shocking statement goes viral

    ‘I ll stop doing films’: Jr NTR’s shocking statement goes viral

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    Jr NTR loses cool over fans - Watch

    Hyderabad: Jr NTR, one of Telugu cinema’s most sought-after actors, recently attended the pre-release event for Vishwak Sen‘s latest film, Das Ka Dhamki, in Hyderabad. Fans were overjoyed to see their favorite actor attend the event and eager to learn more about his upcoming projects.

    When some fans asked about his next project, NTR had a little fun and teased them, saying he hadn’t signed anything yet and asking how many times he had to repeat himself. The actor said, “I am not doing any movie. If you ask repeatedly, I ll stop doing movies.”

    Despite their persistent questions, NTR continued to entertain his fans and quickly reassured them that he had no plans to stop making films anytime soon. The actor’s humorous conversation with his fans not only entertained them but also showed his genuine concern for his co-workers.

    On the professional front, Jr NTR has NTR30 in his kitty which is being directed by Koratala Siva and it is scheduled to hit the screens on April 5, 2024.


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    ( With inputs from www.siasat.com )

  • Know how much B-town actresses are charging for Telugu films

    Know how much B-town actresses are charging for Telugu films

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    Hyderabad: Indian cinema has always been associated with glitz, glamour, and larger-than-life stories. The industry has captured the hearts and imaginations of millions across the country, from the romance of Bollywood to the action-packed dramas of Tollywood. However, as competition between these two powerhouses heats up, a new trend has emerged, the demand for top Bollywood heroines in Tollywood films is the new era.

    With actresses like Janhvi Kapoor commanding a jaw-dropping Rs 5 crore for her role in NTR’s 30th film, it’s clear that the stakes have been raised in terms of remuneration. Kiara Advani was paid Rs 4 crore plus GST for her role as Ram Charan’s female lead in Shankar’s film. Deepika Padukone is getting more than Rs 10 crore for ‘Project K’.

    To secure major Bollywood actresses, producers must invest at least Rs 5 crore to Rs 10 crore, which has become the starting point for top heroines. Actresses in Tollywood typically command between Rs 1 and Rs 3 crore. Meanwhile, Tollywood heroines are pushed to the back of the line, earning half of what a Bollywood actress earns in earrings.

    But what makes these Bollywood actresses so unique? Is it their undeniable star power, incredible acting abilities, or ability to win the hearts of worldwide audiences across the country. Whatever the reason may be, these Bollywood beauties are the leading ladies who are in high demand, and their pay reflects it.

    The future of the Indian film industry is more exciting than ever as the lines between Bollywood and Tollywood continue to be on fire. There has never been a better time to be a fan of Indian cinema, with new projects, new faces, and cutting-edge technology in the world of cinema.



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    ( With inputs from www.siasat.com )

  • Indian ragas gave birth to the iconic theme tune of James Bond 007 films

    Indian ragas gave birth to the iconic theme tune of James Bond 007 films

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    Most of us have watched James Bond films. And we have also heard the iconic theme tune that introduces Bond to the audience. The tune is full of suspense and foreboding. But not many people know that the memorable tune has its origins in a work of fiction connected with Indian culture. The man who first wrote the tune was a British composer, musician and singer named Monty Norman. He wrote the tune for the very first Bond film titled Dr. No and thereafter it was used, sometimes with slight variations, in every James Bond film.

    As the Bond films grew in popularity throughout the world, the tune became one of the most recognised themes on the planet. What makes the James Bond theme so appealing is its ability to evoke a sense of excitement and danger. The pounding rhythm and gradually soaring melody create a sense of excitement and anticipation, hinting at the fast paced action sequences that are to follow on the screen.

    Monty Norman has said that the James Bond tune was inspired by “Good Sign, Bad Sign”, a song that he himself composed for a musical stage adaptation of V.S. Naipaul’s novel A House For Mr. Biswas. The novel was set among the Indian community in Trinidad. In brief, the story was about a man named Mohun Biswas, an Indian living in Trinidad, who has married into a wealthy family but ends up being dominated by his in-laws.

    When Monty Norman was approached to compose a song for the stage show of the novel, the composer decided to rely heavily on an Indian theme and ambience. Since the story was about the Indian community settled in Trinidad, he composed a tune with a very heavy Indian influence and sound complete with sitar and tabla. The song was titled Good Sign, Bad Sign.

    Later, when Monty Norman was roped in to compose the theme for the first James Bond film, he suddenly had a bright idea of presenting the same tune with a few minor changes.

    But even after the changes, Monty Norman’s tune sounded too Indian and the producers felt that it may not be appreciated by a worldwide audience. So they requested another composer named John Barry Prendergast to rearrange the tune. So John Barry made a few more changes and it clicked. It was then included as the theme in the first Bond film titled Dr.No starring Sean Connery and Ursula Andress. The film became a blockbuster and Connery shot to fame as the master spy James Bond, secret agent 007.

    After the runaway success of Dr.No, Barry was hired to compose and perform eleven of the next fourteen James Bond films and he did so with great success. So that is how a tune which was originally based on Indian ragas became one of the most popular theme tunes in the Hollywood film industry and was also recognised and welcomed by millions of James Bond fans across the world.

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    ( With inputs from www.siasat.com )

  • Akshay Kumar takes onus of his films not working, says it’s 100% his fault

    Akshay Kumar takes onus of his films not working, says it’s 100% his fault

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    Mumbai: Bollywood superstar Akshay Kumar, who had a string of flops with his recent film ‘Selfiee’ being another addition, said that the films not working at the box-office are solely his fault and one must not blame the audience for not liking a particular film.

    As per media reports, the actor said that he has faced the similar issue early during his career when his 16 films tanked at the box-office in a row.

    He said: “This is not happening to me for the first time. In my career, I have had 16 consecutive flops at a time. There was a time when I had eight films in a row that did not work. Now, I have had three-four films in a row that did not work. The thing is that it happens due to your own fault, film ka na chalna (a film not working). The audience has changed, you need to change, you need to dismantle yourself. You have to start again because the audience requires you to see something else.”

    Akshay said: “It is a great alarm, aapki film nahi chal rahi to galti aapki hai (If your films are not working, it is your fault). When your films flop in a row, it is an alarm for you that it is time for you to change. Main koshish kar raha hun, wahi kar sakta hoon (I am trying to change, that is all I can do).”

    He also said that he’d like to tell everyone that when films don’t work, the audience must not be blamed.

    “Do not blame the audience or anyone else. It is my fault, 100 per cent. Aapki film na chalna is not because of the audience (a film not working is your fault only). It is because of what you selected. Maybe you have not given the right ingredients in the film,” he added.

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    ( With inputs from www.siasat.com )