Tag: Affordable

  • ‘I wanted to make a bag that I could afford’: designer Raul Lopez on affordable it bags – and a diverse look finally coming to New York fashion

    ‘I wanted to make a bag that I could afford’: designer Raul Lopez on affordable it bags – and a diverse look finally coming to New York fashion

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    On a mild evening in early spring, an unassuming street in Brooklyn momentarily became the destination for New York’s fashion crowd. Club kids, streetwear aficionados and people dressed like Neo from The Matrix vied for a spot in the swelling crowd. The reason? A fashion label called Luar, which has become so hyped in recent years that even those not usually accustomed to queueing will gladly get in line.

    It was worth it. Once inside, the show felt like a party, with Tony award-nominated playwright Jeremy O.Harris and rapper A$AP Ferg in attendance, cheers coming from the usually po-faced audience with each model, and classy and clever takes on evening wear and suitable for work suiting on the catwalk. It then – seamlessly – turned into an actual party, the kind with drinks on trays.

    Luar’s designer, Raul Lopez, speaking a few weeks after the show, is wide-eyed but smiling when told about the scrum to get in. “It’s become a thing where it’s like getting into a club,” he says, speaking to the Guardian via video call from his grandmother’s house. “The kids start to leak it on TikTok or whatever … and like 700 or 800 people show up.”

    Those numbers are testament to how Luar is a name known way beyond those in the rarified world of fashion. This is perhaps partly because Lopez – a queer designer of colour who grew up in a non-gentrified area of New York – stands out from the industry he operates in. Rather than obscure these differences, Luar leans into them and celebrates them – constructing something radical: a luxury label that has appeal beyond the 1%.

    A model walks the runway at the Luar fashion show during New York Fashion Week in February 2023.
    A model walks the runway at the Luar fashion show during New York Fashion Week in February 2023. Photograph: Hippolyte Petit/FilmMagic

    If, in the fashion world, New York has long been shorthand for the uptown polish of labels such as Michael Kors and Ralph Lauren, Lopez’s Luar is one of a number of labels finally showing different points of view in this most diverse of cities. Other names include Willy Chavarria, the 56-year-old designer who works for Calvin Klein and is enjoying something of a resurgence of interest, thanks to his genderless designs and diverse street casting. And Head of State, the label founded by Taofeek Abijako when he was 17. His collection in February was a moving tribute to his father’s journey from Nigeria to Spain and finally the US.

    Notably, Lopez closed fashion week – a prestigious slot usually reserved for a household name. He sees this as an affirmation. “I was born and raised in New York, [and] coming from these disturbed neighbourhoods … to be able to display my work for the world and for New York, it was an honour,” he says. “In a weird way, it wasn’t really about me, it was about everybody. It’s like ‘I can do this, you can do this too, you know, you just got to hustle.’”

    There are other signs of success. He is one of nine finalists up for this year’s prestigious LVMH prize for young designers, with the winner announced in June. He was also awarded the CDFA accessories designer of the year in 2022. And sales are growing – with the Ana bag key to this meteoric rise. The first drop, in October 2021, sold out within 30 minutes, and according to Vogue Business, sales for the brand increased 140% from spring/summer 2022 to spring/summer 2023.

    Launched in 2021, the classic square shape with a looped round handle has become a favourite of celebrities including Dua Lipa, Troye Sivan and (delightfully) Patti LaBelle, but also regular folk. This is partly because of its price tag – the largest is $395 (£315). That might sound expensive – and it is – but compare that to other catwalk brands and it becomes relatively affordable in the world of luxury; a Louis Vuitton Speedy will set you back £1,310, for example, while a Chanel 2.55 is £8,530.

    A model holds the Ana bag from Luar. It is a classic square shaped bag with a looped round handle.
    The Ana bag from Luar. Photograph: Luca Khouri/PR Image

    Lopez says this was intentional – it’s the kind of purchase someone can feasibly save up for (and they do – all but one of the designs are sold out online, and there are enthusiastic unboxing videos on TikTok). “I wanted to make a bag that I could afford when I was coming up,” he says. He says he sees people carrying the bag regularly. “I could be in one of those posh restaurants in London and then go to Brixton and a girl has that on there, too,” he says. “And it’s the same thing in Japan. I get pictures all the time. It’s pretty iconic. She [Ana] has a world of her own.”

    He elaborates on how the design is a tribute to his family, who immigrated from the Dominican Republic in the mid-80s. “The handle was a homage to my grandmother and a nod to the Mod era,” explains Lopez. “And the shape was a nod to my mom. It’s like a briefcase … when immigrants came here, what they thought American luxury was, it was to have a briefcase. It’s a stamp of approval that you’re doing [well] even though you’re dirt poor. My dad had a briefcase in the house, and my mom had the small briefcase.” Is it a symbol of success? “100%. That’s what they were using it for, it was to fit into that world.”

    The son of a construction worker and a factory seamstress, Lopez’s family and upbringing in the Dominican community are central to his designs, but also his lifestyle. He grew up in Williamsburg, long before the area was gentrified to the point of parody, and still lives in the same building in which he spent his childhood (although his parents have since moved to Long Island).

    His mother and aunts showed him the power of clothes. “They were trying to emulate the American luxury they were seeing and to copy, paste – like a Latina Elizabeth Taylor or something,” he says. “But [they were] living in this dump. And to me, it was so beautiful. They were putting on these clothes to walk around these crack-infested neighbourhoods.”

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    The Ana bag from Luar is a classic square shaped bag with a looped round handle.
    The Ana bag from Luar. Photograph: Luca Khouri/PR Image

    If Lopez’s relatives are one type of family that he draws on, there’s also his community of other young queer men of colour, who came up together in New York in the early 00s. The models in his shows are often women Lopez knows from the ballroom scene, the diverse LGBTQ+ subculture as captured in Pose and Paris Is Burning. This is also where he met Telfar Clemens, the man behind the label Telfar, who Lopez calls his “best friend”. The two are often compared – partly because Telfar’s bag is also another so-called accessible status accessory, with the biggest of his shopping totes selling for £211 (it has been dubbed the “Brooklyn Birkin”). Lopez has a note of impatience when asked about the comparison. “It’s like, why are they comparing us? Do they compare a Prada bag to a Fendi bag?”

    Any narrative that they are competitors rather than friends is far from the case. “[Clemens] was always like ‘you need to do accessory’, he pushed and pushed,” says Lopez. “When I did my first drop [of the Ana] … he came and picked me up, popping bottles of champagne. We went to dinner to celebrate. They can’t break our bond.” Lopez says Clemens buys the Ana as presents for his relatives, rather than giving them his own bags.

    Lopez is already fairly established in the fashion industry, beginning the label Hood By Air (HBA) with fellow designer Shayne Oliver (who he also met on the ballroom scene) in 2005, when Lopez was 17. If New York fashion at the time was pretty frilly dresses or work-ready shifts, Oliver and Lopez brought club culture, men in skirts and oversized logos to the catwalk long before other designers explored these themes. “We changed the game,” says Lopez now. “It took me a long time to be able to say that. I never gave myself my flowers.”

    Pop star Dua Lipa is photographed in New York City in September 2022. She is wearing black leggings and a white shirt and carrying a green and yellow snake printed Ana bag from Luar.
    Pop star Dua Lipa in New York City in September 2022 carrying an Ana bag from Luar. Photograph: Robert Kamau/GC Images

    Lopez left HBA (without any conflict, he says) in 2010 and worked on various projects until Luar Zepol – a semordnilap of his name, later shortened to Luar – first began in 2017. But, after 12 years on the hamster wheel of fashion, the designer was reaching breaking point. “I was depressed and tired and exhausted, my mental health was all over the place,” he says. “Right after my show in 2019 I stopped completely and I disappeared into the Cayman Islands [he worked as a consultant to a hotel] and hid out down there for a year and a half.”

    He says this retreat came from a realisation. “I never took a break since I left HBA. It was always go, go, go, go, go because even when I was stopping, I was still doing consulting. I was still working, trying to make money. It took a toll on me,” he says. “I’m always [the one] saying ‘oh, depression, anxiety. That’s crap, just snap out of it’. I didn’t know that I was actually depressed and had anxiety and my mental health was going through the sky.”

    While he was concerned time out from the industry would mean fashion would move on, it actually proved to be the galvanising moment. “When I came back in 2021 I already had a business plan,” he says. “I figured out how to make my brand successful – not just make clothing to please my friends, the art world and the fashion girls.” As his Instagram bio semi-jokes, philanthropy is next. “I’m just trying to figure out a way I can give back to the people who helped me and who inspire me,” he says “Like trans housing organisations, immigrants. I would like to do different colourways [of the Ana] and the money would just go to organisations. I’m not rich but I don’t care. I’ve lived a life of privilege and I still do. I don’t care about the money.”

    The Ana, meanwhile, has her own story. “Seeing my bag all around the world is beautiful,” he says. “I walked into a hotel and saw this woman and her mad crocodile Birkin and then she has my bag across her body. You go to Bushwick [a Brooklyn neighbourhood] and you see it [too]. That’s the world of Luar.”

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    ( With inputs from : www.theguardian.com )

  • New Nokia ‘C12 Pro’ phone launched at affordable price in India

    New Nokia ‘C12 Pro’ phone launched at affordable price in India

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    New Delhi: HMD Global, the home of Nokia phones, on Tuesday launched the new affordable ‘Nokia C12 Pro’ smartphone which features a 6.3-inch HD+ display, in the country.

    “Nokia C12 Pro comes in 4/64GB (2GB RAM + 2GB Virtual RAM) and 5/64GB (3GB RAM + 2GB Virtual RAM) memory variants, priced at Rs 6,999 and Rs 7,499 respectively,” the company said in a statement.

    The new smartphone is available in the country at retail stores, leading E-commerce websites and Nokia.com.

    It comes in three colour options — Light Mint, Charcoal and Dark Cyan.

    “With this device’s, long-lasting battery life, powerful processor and stunning display, it will surely be a delight to our customers and exceed their expectations,” Sanmeet Singh Kochhar, Vice President- India & MENA, HMD Global said.

    “With its sleek design and impressive camera capabilities, we believe the Nokia C12 Pro will be a popular choice for customers looking for a reliable and versatile smartphone,” Kochhar added.

    The smartphone comes with an Octa Core Processor, streamlined OS and enhanced imaging with Night and Portrait modes for both front and rear cameras.

    The new device features an 8MP rear and 5MP front camera.

    “Nokia C-series devices with Android 12 (Go edition) give you an average of 20 per cent more free storage so you can store up to a thousand more songs or pictures, or even a few hours of HD video,” the company said.

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    #Nokia #C12 #Pro #phone #launched #affordable #price #India

    ( With inputs from www.siasat.com )

  • Nokia launches new affordable smartphone ‘C12’ in India

    Nokia launches new affordable smartphone ‘C12’ in India

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    San Francisco: HMD Global, the home of Nokia phones, on Monday announced the launch of its new budget smartphone — ‘C12’ in India.

    Priced at Rs 5,999, the phone comes available in Dark Cyan, Charcoal and Light Mint colours, which will be available for purchase online from March 17.

    “Nokia C12 further embodies the Nokia Smartphone Promise- Ad-free Android Experience, longer battery life, European design, two times more safe & secure, and of course, a one-year replacement guarantee for extra peace of mind. It comes with Octa-Core processor and virtual memory extension for enhanced user experience,” Sanmeet Singh Kochhar, Vice President – India & MENA, HMD Global, said in a statement.

    Moreover, the new C12 brings elevated performance with Octa Core Processor, 2GB Virtual RAM, streamlined OS and enhanced imaging with Night and Portrait modes for both front and rear cameras.

    The phone offers a 6.3-inch HD+ display with 8MP front and 5MP rear cameras.

    Further, the company said, with this smartphone, users will get 30 per cent faster app opening times because of Android 12 (Go edition).

    It will also provide better durability against accidental drops, meaning users can keep their phones for longer.

    In a world of growing cyber threats, the company mentioned that the C-series family ensures at least two years of regular security updates to keep users shielded from ever-increasing threats.

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    #Nokia #launches #affordable #smartphone #C12 #India

    ( With inputs from www.siasat.com )

  • The sweet spot: is ethical and affordable chocolate possible?

    The sweet spot: is ethical and affordable chocolate possible?

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    Is it possible to make an ethical chocolate bar that’s also affordable? Tim McCollum, the founder of the bean-to-bar chocolate brand Beyond Good, says the answer is yes – but you have to transform the way it’s made.

    Beyond Good produces single-origin chocolate bars from cocoa sourced in Madagascar, an island nation off the eastern coast of Africa. Like other specialty chocolate brands, the company says it has sought to improve farmer livelihoods by curtailing the long chain of middlemen that typically participate in the trade of cocoa. Unlike most others, though, Beyond Good says it has managed to eliminate intermediaries altogether: the company buys its cocoa beans direct from local farmer co-ops and drives them to its manufacturing facility in Antananarivo, Madagascar’s capital.

    McCollum says that transacting directly with farmers, coupled with the savings of manufacturing in a lower cost environment, means that Beyond Good can pay farmers a premium while selling its single-origin chocolate bars for $4 a piece, less than half the cost of a bar from US-based competitors like Dandelion and Ritual. That more modest price point has allowed Beyond Good to move beyond the Whole Foods chocolate shelf and sell its products at mainstream retailers like Costco and Albertsons.

    Beyond Good is still small – the company works with about 100 farmers in Madagascar, and employs a staff of several dozen there. But if it’s operating as it says – the Guardian did not visit its facilities or employees in the country to independently confirm this – it offers one new way of thinking about chocolate production in an industry in desperate need of an overhaul. Despite decades of promised reforms from confectionary giants, the cocoa supply chain remains riddled with human rights and environmental abuses.

    Known primarily for its exceptional vanilla crop, Madagascar is also home to an exquisitely flavorful species of cocoa ideal for use in expensive single-origin chocolate bars. Yet the local farmers, who labor at the end of a protracted chain of middlemen, make a pittance for their harvest. McCollum – who served in the Peace Corps in Madagascar in the late 1990s – believed that he could improve farmer incomes if, rather than buying through intermediaries and shipping cocoa to a distant processor, he set up a manufacturing facility locally. Processing the chocolate and manufacturing the bars at origin also creates dozens of well-paying local jobs in a region where few such opportunities exist.

    “The only way to ensure that money is going into a farmer’s pocket is to buy directly from farmers,” McCollum said. “And that’s physically impossible if you’re manufacturing in the northern hemisphere.”


    Modern reports of rampant human rights and environmental abuses within the chocolate industry emerged more than 20 years ago. Millions of farming families in the west African countries of Ivory Coast and Ghana – where the majority of the world’s commodity cocoa crop is grown – subsisted on less than $1 a day. Children were performing forced labor, wielding machetes and spraying toxic agrichemicals instead of attending school. And vast swaths of tropical forest were being clearcut to make room for more cocoa.

    In 2000, chocolate processors and manufacturers formed the World Cocoa Foundation, tasked with leading the charge toward a fair, sustainable cocoa sector. Many companies vowed to enact their own internal reforms, too, funding a wide array of initiatives aimed at enhancing supply chain traceability, empowering women, preventing deforestation, and stamping out the worst forms of child labor.

    Browsing the pages Nestlé devotes to its Cocoa Plan, Mars to Cocoa for Generations, Mondelēz to Cocoa Life, or Hershey’s to Cocoa For Good, it seems as if progress is well under way. In reality, though, industry watchdogs agree that little headway has been made on the path to a fair and sustainable cocoa sector.

    According to the recent Cocoa Barometer report issued by the Voice Network, a leading consortium of NGOs and trade unions working on sustainability in cocoa, deforestation continues at an alarming rate in Ghana and Ivory Coast. Child labor is still widespread on cocoa farms, perhaps even more so than when it was first uncovered two decades ago. The driving factor behind both is that the vast majority of west African farmers earn well below a living income.

    “Today, there’s more openness to the conversation between companies and governments, there’s a lot more funding available, a lot more data available,” said Antonie Fountain, the managing director of the Voice Network and the report’s co-author. “But farmers are still poor, children are still working, and trees are still being cut down.”

    (Recent testing by Consumer Reports also showed that many popular dark chocolate bars, including Hershey’s, Godiva, Trader Joe’s, Lindt, Dove, Chocolove – and Beyond Good – were found to have high levels of lead or cadmium, metals that have been linked to some health problems. McCollum, of Beyond Good, said in an email: “Our products mentioned in the Consumer Reports article comply with quality and safety requirements of the US FDA and California’s Proposition 65.”)

    For Bill Guyton, a founder and former president of the World Cocoa Foundation who now works as a senior adviser to the Fine Chocolate Industry Association, the cause of that persistent poverty is hardly mysterious. The price of cocoa today on the New York Mercantile Exchange is $2,400 a metric ton; it fluctuates a great deal, but the average price of cocoa has been $2,400 a ton for five decades. While chocolate bars have gotten more expensive, cocoa farmers have continued to be paid the same. In the 1970s, according to Fairtrade, the price of cocoa accounted for up to 50% of the value of a chocolate bar, but fell to 16% in the 1980s. Today, farmers receive about 6% of the value of every chocolate bar sold.

    Guyton said that despite well-publicized investments by the industry in things like reforestation, rural health clinics and agricultural education for farmers, these have not led to transformative changes for west African cocoa farmers. Farmers, Guyton said, remain at the base of a complex chain of cocoa collectors, brokers, traders, processors and exporters. This chain often lacks transparency, which can lead to exploitation.

    “In mainstream chocolate, you have a whole system set up that doesn’t want to change,” Guyton said. “You’ve got governments and large companies involved, and making changes to that system would require a new way of trading, and a new way of compensating farmers.”

    People who seek out ethical alternatives might be disappointed to learn that, in some cases, even bars with virtuous branding are more closely tied into this supply chain than they may appear.

    Tony’s Chocoloney identifies itself as a mission-driven chocolate company that aims to make cocoa production “100% slave-free”, and in its marketing materials, lambasts the industry as “dominated by a handful of chocolate giants that profit from keeping the cocoa purchasing price as low as possible”. But the company, which has official Fairtrade and B-corp certifications, relies on one of those giants – Barry Callebaut, one of the world’s largest chocolate processor – for manufacturing, a relationship that led to the brand being dropped in 2021 from Slave Free Chocolate’s list of ethical chocolate companies. It was the same year Barry Callebaut, along with Nestlé, Mars and Hershey, faced a lawsuit in the US brought by eight children claiming they were used as slave labor on cocoa plantations. (The supreme court ruled the companies could not be sued.)

    Tony’s Chocoloney.
    Tony’s Chocoloney. Photograph: Josh Bergeron/Stockimo/Alamy

    Tony’s has responded to this criticism by saying that the company has “never found any cases of modern slavery in our chain” and that working with Barry Callebaut allows it to “further scale up our production”. Tony’s did not respond to the Guardian’s requests for comment.

    Ray Major, a 40-plus-year veteran of the chocolate industry who currently directs cacao sourcing, sustainability and innovation for US chocolate manufacturer Scharffen Berger, says that consumers may also misunderstand the significance of fair trade certifications of chocolate packaging – such as Fair Trade USA, which is one of the longest-running certifying bodies, with a widely recognized logo. These do not promise a more direct, bean-to-bar supply chain. Fair Trade USA protects farmers with a minimum purchase price when the market falls below $2,400 a ton of cocoa, and indicates that farmer cooperatives have been paid a modest premium above cocoa’s market price (currently about 20% above the going rate for commodity cocoa). That premium may or may not ever reach individual farmers.

    Fair Trade representatives also visit select cocoa farms to inspect for certain environmental and human rights criteria, but that process is not failsafe. The explosive growth of demand for certified beans in the past decade has left inspectors stretched thin. “Now you have hundreds of thousands of farmers producing fair trade beans, and the auditing staff that would be required would be tremendous,” Major said.

    Vernaé Graham, senior manager of public relations for Fair Trade USA, said in an email that the group deposits premium payments into a community development fund run by farmers who “democratically decide what projects to invest those funds in to benefit the community”, and that it has agricultural production and trade standards to ensure that farmers and workers are receiving payment. She said the organization also conducts in-person inspection audits at a “statistically significant sample” that rotates each year.

    As for Beyond Good? Antonie Fountain, of the Voice Network, sees direct trade models like this one as promising for growers of specialty cocoa in places like Madagascar or many parts of Latin America. But for the millions of west African farmers growing commodity cocoa, dismantling embedded supply chains in favor of direct trade and manufacturing at origin would be hard to envision.

    For Fountain, the solution for lifting cocoa farmers out of poverty lies in better governance from both chocolate-consuming and cocoa-producing nations – things like improving supply management and putting in place regulations for the multinational corporations buying cocoa. Those companies should also pay higher prices to farms, and offer long-term contracts to provide farmers with financial security, he said.

    “We’ve spent the past two decades talking about what the farmer needs to do differently,” Fountain said. “The farmer needs to stop using his children for labor, the farmer needs to treat women better, the farmer needs to grow other crops. The farmer isn’t the problem. The problem is the system he’s in. Let’s spend the next two decades talking about what governments and multinationals need to do differently.”

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    ( With inputs from : www.theguardian.com )

  • Mayors: Affordable housing demand is crushing us

    Mayors: Affordable housing demand is crushing us

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    In Richmond, everything from “parasitic” capital investors making below-value cash offers to a lack of adequate care for acquired property has ruined swaths of his city, Democratic Mayor Levar Stoney said during a panel discussion at the conference, particularly in low-income and historically Black areas.

    Stoney and other local leaders also blamed short-term rental markets, house flippers and corporate investors as detractors in struggling housing markets. He called for mayors to establish a new working group to convene on pilot programs and initiatives.

    “Mayors cannot address this problem alone. We need to work together with all levels of government, private corporations, landlords, tenants and community organizations,” Stoney said. “Housing is a vaccine for poverty, and home ownership is one of the fundamental ways for families to build generational wealth.”

    Albuquerque Mayor Tim Keller sought to offer a Western perspective, hailing from a city that didn’t face a housing shortage until a few years ago. “All of a sudden, people want to move to Albuquerque,” he said, which created a 30,000-unit-wide gap. Cheap housing from the 1960s and 1970s, as well as dilapidated apartments and hotels, worsened the issue, added Keller, who has led the city since 2017.

    The city is considering whether to convert some old buildings, particularly hotels and commercial areas, into condos or apartments to make them renter-friendly. Keller said the next four months will decide the physical future of the city’s housing situation.

    “We’ve got to understand the big picture, but also the details. … The problem in our city is our zoning code,” Keller said. “We zoned our entire city for single-family dwellings, and it is destroying Albuquerque. It will hollow us out.”

    This year, several state legislatures have proposed widely different solutions to their individual housing problems and needs. In Washington state, a bill in the Senate would increase the amount of single-family detached housing options, while a bill in the state House aims to address the shortage by issuing up to $4 billion in general obligation bonds and give loans to some organizations that develop low-income housing.

    Other chambers in states like Virginia, Washington and Connecticut have introduced measures that would strengthen protections for tenants against landlords on issues like rent increases and document translation in attempts to prevent unfair evictions. Many have also adopted stronger regulations on short-term rentals, cracking down on out-of-state property managers and adding new regulations like license requirements.

    Biden administration officials sought to highlight what kinds of relief mayors could tap to quell their housing struggles.

    Marion McFadden, principal deputy assistant secretary of community planning and development at HUD, touted a federal loan guarantee program that provides grants for low-cost and flexible housing. She also listed new funding sources, including $75 million in permanent supportive housing construction and $225 million in new money for manufactured housing communities.

    But some mayors in the audience expressed irritation with funneling grant money through the state coffers instead of going directly to local leaders themselves.

    “A lot of us are frustrated. We need more funds to go directly to local government,” Frank Cownie, the Democratic mayor of Des Moines, Iowa, said to a flurry of applause, citing concerns with how the state had doled out federal funding in the past. Other mayors in the room concurred, with one adding that small cities seem to receive even less attention and financial support.

    HUD panelists responded by reiterating current federal funding, including the 2021 HOME American Rescue Plan program, a one-time infusion of affordable housing and preservation money.

    “This is still low on every policymaker’s radar,” Keller, the Albuquerque mayor, said. “We are trying to push it at the state level, we are trying to let our federal delegation know about this, and we’re trying to let everyday citizens know we have to do something about housing or we’re going to lose our city to the suburbs.”

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    ( With inputs from : www.politico.com )