Tag: Real

  • Inside New York’s struggling weed real estate experiment

    Inside New York’s struggling weed real estate experiment

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    But Conner’s fledgling cannabis business is also vastly outnumbered by illicit competitors that have sprouted all over the city since the state legalized weed for adults nearly two years ago. New Yorkers are buying weed from behind the counter of bodegas, shopping in unlicensed stores and ordering from underground delivery services.

    Smacked’s soft launch last week marked a milestone for New York’s uniquely interventionist marijuana program, which prioritizes dispensary licenses for entrepreneurs with past pot offenses and takes care of their real estate challenges. And while Conner is the first such entrepreneur to open his dispensary’s doors to the public, it’s unclear how the state will follow through on the promises its made to these small businesses.

    The slow drip of dispensary openings — Housing Works opened one on Dec. 29 and Smacked nearly a month later — underscores the challenges the state faces in securing real estate and raising capital for entrepreneurs.

    Unlike comparing prices for comparable office space, there’s no equivalent, transparent system for retail, explained Kristin Jordan, CEO of cannabis-focused brokerage firm Park Jordan.

    “It’s really a wild west,” she said. “Retail is not an open book.”

    Other legal weed states that have attempted social equity programs have encountered numerous problems: Entrepreneurs often struggle to raise capital or find landlords willing to rent to them, and licensees with little business experience find themselves entering a market already dominated by large cannabis companies.

    But there’s nothing quite like New York’s weed experiment.

    “This is the boldest and most extreme social equity program that’s ever been attempted,” said University of California, Davis economist Robin Goldstein, co-author of the book “Can Legal Weed Win?” “It’s an experiment and nobody knows how it will turn out.”

    Smacked might be open, but only on a pop-up basis. After about one month of sales, the location will be closed again for construction.

    Even so, Conner is undaunted by the challenges ahead.

    “Sometimes, I pinch myself,” he said in an interview outside the shop ahead of the recent opening. “I just can’t believe it.”

    How it works

    Conner is the recipient of a Conditional Adult-Use Retail Dispensary (CAURD) license. These licenses are reserved for people who have been convicted of a marijuana offense prior to legalization or have an immediate family member who was convicted for cannabis. They must also have prior small business experience. Nonprofits that serve formerly incarcerated populations are also eligible for the first round of licenses.

    The state will license 150 applicants to open up dispensaries across the state. So far, 66 licenses have been doled out, with 56 going to justice-impacted entrepreneurs and another 10 going to nonprofits.

    The Dormitory Authority of the State of New York, an agency that typically provides financing and construction for schools and hospitals, is tasked with finding locations and building them out for CAURD applicants.

    DASNY will sign a lease with the landlord, and sublease the location to the applicant. The agency also selected 10 firms to construct the dispensaries. Temeka Group, one of the 10 firms who won the contract with DASNY, will be working with Conner to build out Smacked. The company has constructed more than 400 dispensaries throughout the U.S., said its CEO, Mike Wilson.

    Meanwhile, DASNY is raising money for a $200 million public-private fund that will go toward standing up these dispensaries and providing a variety of other services beyond real estate and construction. The funds are treated like a loan, so licensees like Conner will eventually have to pay the state back, with market-rate interest.

    The fund got $50 million from the state and needs to raise another $150 million from the private sector. During a recent press conference, DASNY President Reuben McDaniel declined to say how much money the fund has raised.

    “We’ve had significant conversations, significant investors, who are very interested in this program,” McDaniel said. “I’m sure we’ll have plenty of money to do what we need to do.”

    CAURD licensees have been promised turnkey dispensaries. But that is taking time to implement. In DASNY’s original request for proposals, the agency anticipated raising $150 million by September 2022.

    “This is an economic opportunity to give people access they wouldn’t have otherwise.” McDaniel said. “In programs like this … capital is always a problem.”

    Potential pitfalls

    The fastest way to launch a recreational weed market is to allow medical marijuana dispensaries to start serving adult-use customers, which is the path recently taken in nearby states such as Connecticut and Rhode Island.

    For New York, where the Big Apple was already home to one of the largest illicit marijuana markets in the world, taking nearly two years to launch recreational sales has prompted a proliferation of unlicensed dispensaries, drawing a variety of public health concerns, including sales to minors and products tainted with contaminants.

    New York’s two open licensed dispensaries can hardly compete with an estimated 1,400 unlicensed cannabis retailers that are getting California weed and selling the stuff without paying cannabis taxes.

    Faced with delays in securing and building out real estate, regulators have made several changes to the program. Most notably, the state is now allowing CAURD applicants to find their own real estate instead of waiting for a DASNY location.

    “Clearly, there’s been a lack of progress,” said Rob DiPisa, co-chair of the cannabis law group at Cole Schotz, of the changing guidance.

    If applicants opt to find their own location, it will put them in competition with DASNY for a limited pool of spaces that meet state regulatory standards. For example, retail dispensaries must be located a certain distance away from houses of worship, school grounds and other dispensaries. Plus, if they sign their own leases, they risk their eligibility for the $200 million fund that was designed to help them.

    That’s leaving applicants in a bit of a bind: Strike out on their own to find a location and give up state funding, or wait in line for a DASNY location without clarity on when they will be given a shop?

    “That’s a tragic choice between two bad options,” Goldstein said.

    A spokesperson for DASNY did not answer questions about the specifics of the process.

    During a Cannabis Control Board meeting Wednesday, McDaniel acknowledged that allowing CAURD applicants to find their own locations has “added some complexity to the work that we’re doing,” he said. But “we’re very excited that the recent retail real estate component of this is actually being accelerated.”

    Landlords are apprehensive about working with DASNY because the social equity fund has yet to raise the full $200 million. That’s making potential landlords wary of participating in the program.

    Not only that, but many landlords have lenders to answer to — and those lenders are wary of entering into the cannabis industry due to its federal illegality.

    With the growth of the state-regulated cannabis industry in the past decade, both landlords and lenders have become more sophisticated when it comes to working with the cannabis industry, said DiPisa, who is working with a landlord in negotiations with DASNY.

    “[Multistate operators] understand that there’s certain language that needs to go in these lease agreements that the lenders want to see,” DiPisa said. “I think there’s a bit of a learning curve [for DASNY].”

    And unlike cannabis companies that are just negotiating for their own operations, DASNY is trying to enter into a large number of leases and build out facilities in a short amount of time.

    “The concept is great,” DiPisa said. “The problem is … it’s a very difficult thing to actually implement.”

    Jeremy Rivera is one CAURD applicant whose company, Kush Culture Industries, is debating whether it should fund its own construction or wait for a state-leased location.

    “Are you willing to wait for [DASNY] or do you want to get first to sale?” he said.

    Rivera recently co-founded the CAURD Coalition, along with three other applicants, in hopes of helping other like them navigate an at-times confusing process with shifting timelines and changing regulatory guidance.

    “Capitalism has ruined cannabis,” Rivera said. “We’re figuring out how we can all help each other.”

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    #Yorks #struggling #weed #real #estate #experiment
    ( With inputs from : www.politico.com )

  • Shraddha Kapoor tells Alia Bhatt to expose Ranbir Kapoor’s “(real) fake id”

    Shraddha Kapoor tells Alia Bhatt to expose Ranbir Kapoor’s “(real) fake id”

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    Mumbai: Bollywood actors Shraddha Kapoor and Alia Bhatt engaged in a fun banter on Saturday after the ‘Raazi’ actor dropped a video on social media in which she is seen doing cardio while listening to the song ‘Tere Pyaar Mein’ from the film ‘Tu Jhoothi Main Makkaar’.

    “Filhaal hum toh sirf Cardio ke pyaar mein bheege bheege bheege @shraddhakapoor #TerePyaarMein on loop dada,” Alia captioned the post.

    Soon after she posted the video, Shraddha quickly reacted to the clip and called out Ranbir to use his own Instagram account.

    Shraddha wrote, “Uffff you cutestest @aliabhatt,” she wrote, adding, “P.S: Yeh kya Makkaari hai Ranbir? Apne real id se aao.”

    ANI 20230204211705

    Replying to her post, Alia wrote, “Hahaha good luck making that happen my fellow fishy.”

    ANI 20230204211714

    To which the ‘Aashiqui 2’ actor reacted, “Bohot ho gaya! Chal iske (real) fake id ko expose karte hai.”

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    Ranbir doesn’t have a verified account on any social media platforms yet. So, Shraddha might have just hinted towards the ‘Shamshera’ actor having an anonymous account.

    Helmed by Luv Ranjan ‘Tu Jhoothi Main Makkaar’ is an upcoming romantic comedy film which is all set to hit the theatres on March 8, 2023.

    Recently the makers of the film unveiled the first song of the film ‘Tere Pyaar Mein’ which got massive responses from the fans.

    ‘Tere Pyaar Mein’ oozes freshness and romance. The song is composed by Pritam, sung by none other than Arijit Singh along with Nikhita Gandhi, and has lyrics penned by Amitabh Bhattacharya.

    With Ranbir and Shraddha’s presence, the song looks like a beautiful combination of love and liveness that strikes the right chord with the youth.



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    #Shraddha #Kapoor #tells #Alia #Bhatt #expose #Ranbir #Kapoors #real #fake

    ( With inputs from www.siasat.com )

  • Fan asks SRK for ‘real’ box-office earnings of ‘Pathaan’, he replies: ‘5000 cr pyaar’

    Fan asks SRK for ‘real’ box-office earnings of ‘Pathaan’, he replies: ‘5000 cr pyaar’

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    Mumbai: Twitterati had a field day as Bollywood superstar Shah Rukh Khan took to his Twitter handle for a fun #AskSRK session.

    The actor, whose recent film ‘Pathaan’ has broken many records at the box-office, is known for giving funny, quirky and witty answers to the questions posed by his fans during the #AskSRK session.

    On Saturday, a fan asked SRK about the real collections of his recent release, which also stars Deepika Padukone and John Abraham.

    The fan tweeted, “@iamsrk #Pathaan ka real collection kitna he (what is the real collection of ‘Pathaan’?).”

    In response, SRK wrote, “5,000 crore pyaar. 3,000 crore appreciation. 3,250 crore hugs. 2 billion smiles and still counting. Tera accountant kya bata raha hai?? (what does your accountant has to say on the subject?).”

    Directed by Siddharth Anand, ‘Pathaan’ marked the return of Shah Rukh to the silver screen four years after his last release ‘Zero’, which starred Katrina Kaif and Anushka Sharma.

    ‘Pathaan’ was released worldwide on January 25 in Hindi, Tamil and Telugu.



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    #Fan #asks #SRK #real #boxoffice #earnings #Pathaan #replies #pyaar

    ( With inputs from www.siasat.com )

  • Budget 2023-24 Steers Clear Of Real Problems Faced By People In J&K: NC

    Budget 2023-24 Steers Clear Of Real Problems Faced By People In J&K: NC

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    SRINAGAR: The Jammu and Kashmir National Conference Chief Spokesperson Tanvir Sadiq on Wednesday termed the annual Budget 2023-24 as a jugglery of words that failed to address the real issues faced by poor and working classes.

    Reacting to the annual financial statement presented by the Union finance minister in Lok Sabha, Tanvir said, “It is sheer rhetoric. It is blind to the plight of traders, artisans, horticulturalists, transporters and unemployed youth which he stated have suffered from major reverses since 2014 deluge and successive 2019 clampdown and Covid-19 induced lock downs. It pays little more than lip service to the ailing hospitality and manufacturing sectors in Jammu and Kashmir. The budget has clearly steered of the problems faced by our struggling contractual employees and daily wagers. There is no package to help reverse the ills induced by the successive Covid clock downs.”

    Tanvir Sadiq said the government’s claim that the welfare of farmers is their priority flies in the face of budgetary allocations. “We have been hearing for the last three years that farmers’ income will be doubled, but in reality, the income is getting halved. On the contrary the horticulturalists and people associated with other allied sectors of agriculture have been left out high and dry,” he said.

    There was no discussion with the stakeholders in Jammu and Kashmir before passing the budget. “The exercise itself raises a question why an entire populace of nearly 1.4 Cr people continue to remain without a representative Assembly. An elected assembly could have discussed and ascertained the needs and aspirations of the people of JK before tabling annual budgetary allocations and estimates. It is again for the fifth time that the concerned stakeholders were not consulted before tabling of the budget,” he said.

    Sadiq also said that J&K has not got any industrial corridor and the newly announced industrial estates are yet to translate into reality. He also sought renewal of lease to hoteliers in J&K, saying that inordinate delay in the renewal is impacting the trade.

    Previous articleOne-Way Traffic Restored On Srinagar-Jammu Highway
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    #Budget #Steers #Clear #Real #Problems #Faced #People

    ( With inputs from : kashmirlife.net )

  • Canada’s real GDP grew 3.8% in 2022

    Canada’s real GDP grew 3.8% in 2022

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    Ottawa: Canada’s real gross domestic product (GDP) grew 3.8 percent in 2022, the national statistical agency announced.

    Statistics Canada on Tuesday said that it indicated a 0.4 percent increase in real industry GDP in the fourth quarter of 2022 and a 0.1 percent increase in December, reports Xinhua news agency.

    In December, increases in the retail, utilities, and public sectors were offset by decreases in the wholesale, finance, and insurance, and mining, quarrying, and oil and gas extraction sectors, it said.

    Owing to its preliminary nature, these estimates will be updated on February 28 with the release of the official GDP data for December and the fourth quarter of 2022, Statistics Canada added.

    Canada’s GDP edged up 0.1 percent in November, following the same growth in October.

    Growth in services-producing industries was partially offset by a decline in goods-producing industries, Statistics Canada said, explaining that the removal of travel restrictions and rising interest rates continued to affect certain industries.

    On October 1, 2022, all Covid-19 border restrictions, including vaccination, mandatory use of the ArriveCAN app as well as any testing and quarantine requirements, were removed for all travelers entering Canada by land, air, or sea.

    This removal of restrictions continued to support gains in the transportation and warehousing sector in November.

    Meanwhile, interest rate hikes by the Bank of Canada over the course of 2022 continued to have an effect on the activity at offices of real estate agents and brokers, residential building construction, and legal services which have been trending downward since the spring, Statistics Canada said.

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    #Canadas #real #GDP #grew

    ( With inputs from www.siasat.com )

  • ‘There Is a Real Sense That the Apocalypse Is Coming’

    ‘There Is a Real Sense That the Apocalypse Is Coming’

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    mag ward onishiqa lead

    Onishi: I’m happy to say that Balmer outlined that history in grand detail in POLITICO and elsewhere.

    Ward: You also argue that Barry Goldwater’s campaign in 1964 prefigured some of the Christian nationalist themes that became more explicit in the 1970s. Goldwater famously broke with the religious right in the 1980s, but how did his campaign contribute to the incipient white Christian nationalist project?

    Onishi: Goldwater presented an uncompromising conservatism. He was bombastic on the campaign trail. He said that we might need to use nuclear weapons in Vietnam. He said that while he personally supported the idea that Black and white folks in the South should live and work next to each other, he said that he was not going to sign any laws that forced integration. And he famously delivered a line during his presidential nomination acceptance speech where he said, “Extremism in the defense of liberty is no vice.”

    I think that’s worth thinking about. In essence, he’s saying that in times like these — the 1960s, when the civil rights movement was brewing, there were calls for immigration reform, women were pushing for independence and autonomy — extremism is the way that you can keep a hold on your country. Extremism is the modus operandi you are going to need to adopt if you are going to continue to hold positions of power in the political, social and economic realms. The foot soldiers of Goldwater’s campaign never forget this message.

    Ward: Speaking of his foot soldiers, historians often point to the formation of the Moral Majority in 1979 as the moment when the religious fervor of evangelicals like Jerry Falwell formally entered into a political alliance with the political extremism of the New Right, led by former Goldwater supporters like Paul Weyrich and Richard Viguerie. But in some respects, that moment marked not only the beginning of a new sort of conservative politics, but also the culmination of a decades-long project of organization and collaboration between those two camps. What sort of political legwork went into making that union possible?

    Onishi: Goldwater lost in a landslide in ’64, but his foot soldiers never lost their enthusiasm for his message and for this extremism. So throughout the ’60s, people like Paul Weyrich, Richard Viguerie and Morton Blackwell were working to build a political apparatus that would match what they saw on the Democratic side. What they wanted to do was take all of the charisma of Goldwater and turn it into a set of institutions and bureaucracies that would enable the takeover of the GOP and of American politics writ large.

    What they realize in the early 1970s is that they don’t have enough votes, but they realize that if they can form a coalition with white, conservative Christians, they can find tens of millions of votes. And if they can promise the leaders of that movement — someone like Jerry Falwell — access to power, [those leaders] will no longer be laughed away as backward, rural Christians or old-timey people that have not caught up with modern America. This coalition building was already happening in the late ’60s and early ’70s, well before the official formation of the Moral Majority in 1979.

    Ward: Weyrich, in particular, was not coy about his aims. For instance, you cite his statement: “We are all radicals working to overturn the present power structure.” If that’s not a pretty clear echo of Goldwater’s endorsement of political extremism, I don’t know what is.

    Onishi: That’s exactly right. And Weyrich said that as somebody who was actively building the Council for National Policy and the Heritage Foundation. It’s easy to write him off as a boring institution builder, but what he was trying to do was instill the revolution into the institutions that make the GOP move and run — and he succeeded, largely.

    Ward: One of the first actions of the New Religious Right was to declare war on Jimmy Carter. Carter was an evangelical, but he embodied a very different style of evangelical politics. What did the clash between the New Religious Right and the Carter administration reveal about the nature of their project?

    Onishi: Jimmy Carter was almost made in a lab, in terms of being a white Christian president. He’s a Southern Baptist by birth, a military officer, a peanut farmer, and married to his high school sweetheart. However, when Carter got into the White House, he put more women and people of color in the judiciary than anyone before him. He was not publicly outraged by calls for more representation of gay Americans and gay families. He was not taking a hard-line stance on abortion. And perhaps most damning was that he was a dove on foreign policy — he wanted to use diplomacy when it came to America’s interest in conflicts all over the world.

    It was all of those components that led Weyrich, Falwell and their cohorts to put everything they had behind Ronald Reagan, who was not one of them in a very strict sense. What this tells me is that their project was about power and not piety.

    Ward: Another defining feature of the New Religious Right was an intense focus on “family values” — and in particular on a certain vision of sexual purity — embodied by groups like James Dobson’s Focus on the Family. You write very movingly in the book about how purity culture influenced your own upbringing, but could you explain how the movement’s intense focus on individual purity also contributed to its political radicalism?

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    #Real #Sense #Apocalypse #Coming
    ( With inputs from : www.politico.com )

  • The week in audio: Joanna & the Maestro; Conversations from a Long Marriage; Real Money; Ken Bruce

    The week in audio: Joanna & the Maestro; Conversations from a Long Marriage; Real Money; Ken Bruce

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    Joanna & the Maestro (Cup & Nuzzle, Burning Bright Productions and Bauer Media) | Planet Radio
    Conversations from a Long Marriage (Radio 4) | BBC Sounds
    Real Money: The Hunt for Tether’s Billions (Tortoise Media) | Tortoise
    Ken Bruce (Radio 2) | BBC Sounds

    All-the-medals national treasure Dame Joanna Lumley has a new classical music podcast with her husband, Stephen “Stevie” Barlow. It’s called Joanna & the Maestro and it’s quite the most wonderfully fruity thing you ever heard. Just 10 minutes in its company and you find yourself describing things – even quite ordinary things, such as a cup of coffee or the dog – as divine. Beautiful. Exquisite. Gorgeous.

    Gorgeous is what Lumley does, and gorgeous is what she loves, as she explains in the first episode. When she was young, she loved the piano and wanted to play. But she struggled with reading the notes, so lessons went no further. Still, she and her family listened to classical records, and she heard music, too, when doing dance classes in Malaya, specifically Offenbach’s Barcarolle: “I can hear it to this day.” When pop came along, “I liked gorgeous music, so I loved the Everly Brothers… Elvis had a beautiful voice.”

    Barlow, the maestro of the title, and just as fruity as Lumley, is an esteemed conductor. He has an office in their garden – “the music room” (pronounced “rum”) – where he works and where the podcast is recorded, and occasionally he pops over to the piano and tinkles out a tune. We learn that, in contrast to Lumley, Barlow had two piano teachers when he was young, one for theory, one for playing, and progressed to the King’s School, Canterbury, where his talent was nurtured further. His knowledge leads to some interesting details, such as the order in which members of an orchestra are listed on a score and a discussion about castrati and countertenors.

    Oh, it’s all divine, delicious and lovely, including the music, and they are sweet company, though I was slightly brought up short when Barlow exclaimed: “I’m discovering so many things about you!”, in contrast to Lumley’s encouraging him to tell stories she clearly already knows. He’s been primed to excel throughout his life, while she has a tendency to put down her own knowledge, just to encourage him some more. “Stevie, this is what I wanted us to do in these shows,” she says. “Me being the average listener and you being the above-average musician, able to give answers.”

    In an odd piece of timing, Lumley is also appearing on Radio 4 as one half of a happily married couple, this time fictional. Conversations from a Long Marriage, starring Lumley and Roger Allam, written by Jan Etherington, is being rerun ahead of season 4, and nestles happily in its 6.30pm comedy slot. It’s cosy and gentle and – for me – slightly phoned in by these two great actors. The stories and jokes often revolve around one of them desiring a bit more attention from the other: we’ve had Joanna wanting Roger to be more physically affectionate, like a lusty couple they know, and Roger being grumpy about Joanna working with a dynamic younger man. Surely most long-term couples are relaxed about such things, while being far spikier about others? Perhaps I’m wrong, and everyone else, apart from me and my husband, is in an exquisite Joanna & the Maestro-style relationship. Whatever, I will always have time for Lumley, who somehow manages to make everything in life, even ludicrous garden bridges, more absolutely fabulous (sorry). There are few people who can do that.

    Another woman who never lets you down is the excellent tech journalist Aleks Krotoski. As host of Radio 4’s The Digital Human she is full of delighted, doggedly earned knowledge about the virtual world, but also, vitally, she’s a great storyteller. Her scripts are consistently on point, and she delivers them with panache.

    Krotoski has spent the past year looking at cryptocurrency for Tortoise Media, and Real Money: The Hunt for Tether’s Billions is the result. Cryptocurrency Tether’s USP is that it is tethered to the US dollar. One tether equals one dollar, so it seems a safe bet. Before you start yawning, not only does Krotoski sell Tether’s story well, it’s a very interesting tale. Tether has never published its accounts, and a man called Nathan Anderson has offered $1m to anyone who can pin down just what Tether’s investments actually are. Even more intriguing is a central character called Brock Pierce, who has done many things in his life, including being a child actor in a 90s ice hockey film. Pierce is Tether’s daddy. Did you know that the physical centre of cryptocurrency – its Silicon Valley – is Puerto Rico? Me neither. Krotoski and producer Joanna Humphreys are there, tracking Pierce down – “It’s like we’re chasing ghosts” – and this show brings along even the least crypto-interested with them.

    Ken Bruce will join Greatest Hits Radio after more than three decades on Radio 2.
    Ken Bruce will join Greatest Hits Radio after more than three decades at Radio 2. Photograph: Bauer Media/PA

    Finally, what a shocker re Ken Bruce, eh? Bauer’s Greatest Hits Radio has pulled off a genuine coup in getting Bruce – plus his beloved PopMaster quiz – over to its station. The most successful commercial radio groups have been tempting big BBC talent to the dark (read: better-paying) side for the past few years, and it’s quite a tally once you start counting. Bauer has Simon Mayo and Ken Bruce; Global has John Humphrys, Andrew Marr, Emily Maitlis, Jon Sopel; Wireless has Chris Evans, Graham Norton and Vanessa Feltz. That’s five big ex-Radio 2s, three ex-Radio 4s and a BBC One-er. Plus, Greatest Hits also has Alex Lester, Richard Allinson, Mark Goodier and Jackie Brambles…

    So who will take over Ken’s old slot in March? Radio 2 has been shifting from golf club bants to a campier, female-friendly, 90s kitchen disco vibe for a few years now. Liza Tarbuck? Rylan Clark? We shall see.

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    #week #audio #Joanna #Maestro #Conversations #Long #Marriage #Real #Money #Ken #Bruce
    ( With inputs from : www.theguardian.com )

  • ‘English flirting’: Dimoldenberg v Garfield is real magic

    ‘English flirting’: Dimoldenberg v Garfield is real magic

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    He’s a Hollywood A-lister, recently named a man of the year and routinely included among the sexiest alive. She is an awkward art-school graduate who has his shirtless photo as the wallpaper on her phone. And they just can’t seem to stop running into each other.

    The television personality Amelia Dimoldenberg and the actor Andrew Garfield have been hailed as a real-life romcom in the making for their brief but memorable – and, now, heavily hyped – encounters at awards shows.

    Video of their first meeting at the GQ Man of the Year awards in London in November, at which Dimoldenberg was interviewing celebrities from the red carpet, went viral for the pair’s seemingly undeniable chemistry.

    Garfield told Dimoldenberg he was a fan of her popular YouTube interview series Chicken Shop Date; she told him he looked hot without a shirt. “This is going well. I think,” said Dimoldenberg, to camera. “Are we rolling?” said Garfield.

    After 90 seconds of stop-start compliments and cautious circling, the interview concluded with Dimoldenberg proposing a toast – to their “future date”. “Whenever, really: whenever,” said Garfield, accepting the tiny glass of fizz, then checked himself. “Well, not whenever. But when we can both do it.”

    The clip has been watched 4m times on GQ’s official Twitter alone, sparking debate among users as to whether it was cute or excruciating. In particular it was said to be an especially English display, with both Dimoldenberg and Garfield awkward and almost aggrieved in their apparently mutual attraction.

    “It’s so rare to see people have great chemistry any more,” commented a tweeter. “It’s like the golden age of Hollywood again.” Another reposted the clip for their own easy referral: “Don’t mind me, I just need to be able to find these videos again at a moment’s notice. Andrew Garfield, Amelia Dimoldenberg, Chicken Shop Date – when?”

    With the world willing them to meet again, the pair’s recent reunion on the red carpet of the Golden Globes in Los Angeles carried the weight of expectation – and, judging by Garfield’s bashful approach, not just of the audience’s.

    “Just stand! Be normal!” Dimoldenberg berated him – charmingly, of course. Garfield, for his part, likened her stricken expression to that of “a capybara in the wild”.

    If there had been any doubt as to the authenticity of their first interaction, their second interview seemed to dispel it, with social media whipped into a frenzy by Garfield’s oh-so-subtle brush of Dimoldenberg’s hand as he reached for her microphone.

    “We must stop meeting like this,” said Dimoldenberg, faux-flirtatious. “I only ever want to see you … in situations like this,” replied Garfield, reaching for her microphone – and with it, Twitter noted, her hand. “What about other situations?” responds Dimoldenberg.

    She posted the clip, barely longer than the first, on Twitter with the caption “round two”; it has since been viewed 34m times.

    “This is such an accurate representation of English flirting, which is hardly ever captured in film,” tweeted the writer Louis Staples. “Moments of exquisite charm punctuated by the cringiest shit you’ve ever witnessed, yep sounds right,” agreed the author Philip J Ellis.

    Dimoldenberg regularly draws large audiences online with Chicken Shop Date, the interview series she started while a fashion student at Central Saint Martins in 2011. What began as a print Q&A with grime musicians in 2014, carried out at one of London’s many fried-chicken joints, moved to YouTube, where it grew a following.

    Now in its fifth season (or “seasoning”), Chicken Shop Date has 1.65 million subscribers, drawn by Dimoldenberg’s deadpan interviews with guests as diverse as the musicians Burna Boy, Ed Sheeran and Phoebe Bridgers and members of the England women’s football team.

    Last year, Dimoldenberg’s interview with Louis Theroux, in which she persuaded him to reprise his self-written rap from his 2000 series Wild Weekends, gave rise to a TikTok trend and then a hit song, on which they were both credited artists.

    After her first interview with Garfield went viral, fans circulated an older Chicken Shop Date clip, showing her toying with actor Daniel Kaluuya. Her romantic “type” is actors, she tells him meaningfully – “good ones”, from Camden. “It’s not you,” she says with wonderful disdain.

    But, setting aside Dimoldenberg’s undeniable comic timing and charisma on screen, what makes her encounters with Garfield so effervescent is the sense of her having met her match. As one Twitter user put it: “This is my Pride & Prejudice.”

    When Garfield compares their astrological signs and suggests they might be too compatible, Dimoldenberg seems genuinely flustered – then claws back the upper hand. “I don’t think we should explore this … I’m not ready for it,” Garfield says gravely. “Oh, OK,” says Dimoldenberg. “Well I am.”

    Her last-ditch attempt at an actual question, valiantly inquiring after Garfield’s apparent “affinity to playing religious characters”, only draws more attention to their chemistry.

    “Authenticity” is highly sought after in today’s media environment, but impossible to approximate: a real, felt reaction is undeniable, and audiences can’t help but respond.

    In the context of “reality” television, it is the difference between the by now perfunctory, glassy-eyed engagement with Love Island and its latest production line of Boohoo models – and the genuine emotion of (and excitement about) The Traitors, a recent surprise success for the BBC.

    Dimoldenberg and Garfield’s “interviews” are the kind of serendipitous, compulsively watchable lightning strikes that typically only happen in live sports or news broadcasts, or the very best home-video recordings of children and pets.

    The clips have the endlessly amusing quality of the all-time greatest memes like the kids crashing the BBC interview (now six years old) or the botched “Monkey Jesus” restoration (now 10) – and yet it seems that, in this case, lightning can strike twice.

    At a time when celebrities love to hide behind their public image and no A-list pairing is above speculation that it’s all for publicity, Dimoldenberg and Garfield’s off-the-cuff, toe-for-toe interactions were a breath of fresh air – whether they actually fancy each other or not.



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    ( With inputs from : www.theguardian.com )

  • India’s Population overtakes China’s as China mistakenly reports real Covid deaths

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    In a significant development, India has reportedly surpassed China as the world’s most populous country. According to projections from the World Population Review (WPR), India’s population was 141.7 crore as of the end of 2022. That’s a little more than 50 lakh more than the 141.2 crore declared by China on January 17.

    India’s population momentarily surpassed China’s population as China mistakenly reported right number of Covid deaths in the country. However, China regained its position after rectifying the Covid death reports.

    China called WPR report misleading and claimed there are a very few deaths in China due to Covid.

    Speaking to The New York Times, Elon Musk said “I assure the world that increasing population isn’t a threat as I am already building houses in Mars and exploring lives in Uranus.

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    [ Disclaimer: With inputs from The Fauxy, an entertainment portal. The content is purely for entertainment purpose and readers are advised not to confuse the articles as genuine and true, these Articles are Fictitious meant only for entertainment purposes. ]

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