Tag: Liew

  • The revival of Test cricket is a fine thing – but ODIs would like a word | Jonathan Liew

    The revival of Test cricket is a fine thing – but ODIs would like a word | Jonathan Liew

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    I got a little teary the other night. It’s a really stupid story. You know that famous scene in Coronation Street when Hilda Ogden comes home from the funeral and there’s a parcel of Stan’s belongings on the table, and she opens Stan’s glasses case and suddenly, despite herself, she starts to weep uncontrollably? Well, it was like that, except rather than a dead husband I was mourning an era of English Test cricket. And instead of a pair of glasses, it was an interview with Graeme Swann on the Rig Biz sports comedy podcast.

    The bulk of Swann’s interview is not, admittedly, an abundant source of pathos. But among the many anecdotes on Andrew Flintoff’s drinking and Paul Collingwood’s sexual prowess is a segment where Swann recounts his time playing with Kevin Pietersen for England. And for all they achieved together, there is not a great deal of residual affection there. “Me and Kev always hated each other,” Swann remembers. Pietersen is described as “a bit of a dickhead”. This is good content, no notes.

    But then Swann starts talking about the 2012 text-message scandal involving Pietersen and Andrew Strauss, and that got me. I can’t explain it. “A bit of a soap opera,” is how Swann described it, and with the benefit of distance it is weirdly poignant to recall how big this silly little tiff seemed at the time. For a week the front pages were consumed with tales of slurs, rumours, crisis summits, YouTube disses. It mattered. I mean, it didn’t matter. But it felt like it did. And to hear it being repackaged as bog-brush banter on a second-rate podcast: on some level, something important has been lost here.

    The sacking of Pietersen in 2014 was a genuine national news story. By way of tangent, I tried to recall if the England men’s Test team had generated a single nationally resonant story since. Headingley 2019, maybe. Certainly not the 2015 Ashes. More often than not, when English cricket has punctured the broader consciousness, it has been through controversy: the Yorkshire racism scandal, the Ben Stokes trial (at which we all learned that nobody really knew who Ben Stokes was). A national sport essentially reduced to a fleeting curiosity in the space of a decade. What happened? And as the English summer of 2023 clanks sleepily into gear, what are we all still doing here?

    At which point: enter Bazball. I want to believe in this thing, I really do. I want to believe in the noble mission of Stokes and Brendon McCullum to save Test cricket by scoring at 5.5 runs per over. I love the way this team play and the memories they have already created. I like Harry Brook’s little face. I want to believe that English red‑ball cricket can somehow reinflate itself to the size it was before it needed to be saved, a time when it simply was.

    Kusal Mendis rattles off a run during Sri Lanka’s first Test victory against Ireland
    Kusal Mendis rattles off a run during Sri Lanka’s first Test victory against Ireland. Photograph: Ishara S Kodikara/AFP/Getty Images

    But let’s face it: I’m not the target market here. Last week I read an interview with Sri Lanka’s Kusal Mendis, who is playing in the Test series against Ireland: Ireland’s first two-Test series, a landmark occasion that has attracted barely a word of mention. Mendis smashed a brisk 140 in the first Test and afterwards explained how he thought Test batting was evolving. “The future of Test cricket is not to play out so many dot balls,” Mendis told Cricinfo. “Apart from the start, I don’t see a big difference in the ODI and Test formats.”

    This is an increasingly prevalent view: that the evolution of Test cricket, driven by Stokes’s England, is taking it firmly in the direction of white-ball cricket, with higher scoring rates, instinctive aggression, and the effective elimination of the draw. Indeed, listen to a proselytiser such as McCullum or Eoin Morgan and you will hear that this is the only viable future for the longest format: quicker games, bigger thrills, more interest. Sounds great. One question: how’s ODI cricket doing these days?

    Because it turns out there already is a format with no draws where teams score at 5.5 runs an over, and people don’t really like it very much. Over the past few years there is a growing consensus that ODIs are nearing the end of their useful creative lifespan, that they have become staid and formulaic. Two-innings Test cricket with a swinging, spinning red ball will always be a richer product. But let’s roll the Bazball tape through to its logical conclusion: not a few months or a few years, but five or 20 years. At what point does cheery novelty begin to crystallise into routine?

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    There is of course so much to admire in this brilliant England team and the way they play the game. But it is no more a magic formula or survival manual than any other style to have emerged in Test cricket’s 150 years. This is a game whose glory lies in its texture, its contrast of tones and shades and paces and approaches, not just the fast but the slow, not just the instinctive but the regimented, not just the instant gratification but the delayed, too.

    For lovers of the long game there will always be a seductive appeal in the idea of the quick fix, the one giant heave that will put the vase back on its pedestal. But in sport, as in marketing or politics, there is always a danger in modelling yourself on your biggest rival: there’s a reason they’re your rival in the first place.

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    #revival #Test #cricket #fine #ODIs #word #Jonathan #Liew
    ( With inputs from : www.theguardian.com )

  • Graham Potter and Chelsea still searching for a plan amid the chaos | Jonathan Liew

    Graham Potter and Chelsea still searching for a plan amid the chaos | Jonathan Liew

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    So, that plan. Everyone wants to see the plan, to see the world in a grain of sand, to see the nuts and bolts of a sophisticated modern footballing philosophy in a promising 15-minute spell either side of the break. The truth is, there is no plan yet. Just the kind of mid-tempo chaos you get when you are still at the thick end of one of the most audacious experiments ever seen in elite football. The bottom line is that Chelsea still can’t keep the ball and they still can’t keep it out. Everything else is bubbling test tubes and incomplete data.

    There were 21 shots in the 1-0 defeat at Dortmund, which is at least something. João Félix probably should have had a couple of goals, Gregor Kobel made several fine saves for the hosts and, naturally for a Graham Potter team, the xG was off the charts. You might even argue that this was the sort of game Chelsea deserved to win. All the same, they keep failing to win them, largely because they keep doing the sort of things that teams do when they have no map, no structure to fall back on, no collective consciousness to drag them through the tough bits.

    It was telling that with 20 minutes remaining, Potter reached for Marc Cucurella and Mason Mount: his tried and trusted toys. Mount made one fine tackle high up the pitch to create an opening; Cucurella, by contrast, wandered around like a man who had just stumbled out of a house fire. Booed when he came on and hounded every time he got the ball, there was a kind of pathos to him here: a £50m footballer who no longer really knows what any of this means, who no longer knows what the plan is here.

    But of course these things work both ways. Opponents can’t really work you out if you don’t know what you’re doing yourself. If you’re a rival coach who wants to know how this Chelsea side combine with each other, how they react in certain situations, what do you do? What footage do you consult? And perhaps Chelsea’s best moments here were when the patterns broke down and they were forced to trust to pure individual quality at each end.

    Thiago Silva heading away cross after cross. Mykhaylo Mudryk running at Marius Wolf on the left wing, losing it and inevitably getting it back again. Félix fluttering this way and that in the final third. Hakim Ziyech looking sharp in the second half. If you’re a coach with a vision and a blueprint, you take tactics over talent every time. But there are times when talent really doesn’t hurt.

    The flip-side was the ease with which Dortmund could pass through Chelsea’s press, which at this stage of its gestation remains a largely theoretical thing. There are players in positions, certainly. Some of them running in a gutsy sort of way towards the ball. But virtually no concept of spacing or coordination just yet, no sense of a team moving as one, a system run by Zoom call. Can you communicate at all when the noise is this deafening and nobody really knows each other’s movements yet?

    Graham Potter watches on
    Graham Potter watches on as his Chelsea side lose the first leg of their last-16 Champions League tie with Borussia Dortmund 1-0 in Germany. Photograph: Paul Currie/Shutterstock

    Perhaps the best example of this was at set pieces. Has a losing team ever taken as long over set pieces as this? Every free-kick seemed to involve a board-level summit, four or five players congregating on the ball while Silva waved his arms behind them. Goal-kicks were a similar story: as the centre-halves dutifully spread wide, Kepa looked up and realised that in the time he needed to set himself, every single teammate was marked. What’s the plan here, then?

    And after that promising 15-minute spell, things fell apart in the most Chelsea way possible. Chelsea were offside at a corner, some players stopped, some players didn’t, and all of a sudden Karim Adeyemi was burning Enzo Fernández for pace, scoring the only goal of the game. If there was an irony here it was that the immaculately honed and structured Dortmund had struck Chelsea in just the way Chelsea were most likely to strike themselves: with a searing direct counterattack, a flash of individual brilliance, a finish that seemed almost prosaic in its assurance.

    These are the sorts of things that happen when you are all cast and no movie. And as Dortmund cycled through their substitutes, there was perhaps another lesson for Chelsea here too. Dortmund have in many ways perfected a very similar model Chelsea are trying to follow: harvest Europe’s top young talent, develop it, nurture it, watch it swell in value. Adeyemi, a £30m summer signing from Salzburg, has been trusted through a torrid period by coach Edin Terzic, slowly learning his own game and Dortmund’s. Does Potter have the time to give a struggling young player that kind of leeway? Or does he simply shuffle in the next promising young card off the deck? What exactly is the plan here?

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    Potter, for his part, seems like a coach second-guessing himself, torn between long-term renewal and short-term impact. The fans are already beginning to turn; desperate to see an A-list coach with this A-list squad. Chelsea still have a foot in this tie, which represents perhaps their last remaining thread to Champions League football next season. If it breaks, Potter may well end up being cut loose with it.

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    #Graham #Potter #Chelsea #searching #plan #chaos #Jonathan #Liew
    ( With inputs from : www.theguardian.com )