An anthology of four tales, Ajeeb Daastaans, brings together talented actors and directors

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An anthology of four stories, Ajeeb Daastaans, brings together talented actors and directors
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After anthologies like Lust Stories, Ghost Stories and Unpaused, it appears directors are having fun with the-to-three-hour watch and provide selection in content material. Yet one other anthology, Ajeeb Daastaans will probably be releasing on April 16 on Netflix. Backed by Karan Johar it brings together a staff of identified directors – Shashank Khaitan, Raj Mehta, Neeraj Ghaywan and Kayoze Irani, to dish out an odd mixture of ‘stories’ and has an ensemble solid of confirmed gems of OTT, from Shefali Shah of Delhi Crime to Jaideep Ahlawat and Abhishek Banerjee in Paatal Lok to Manav Kaul final seen in Saina and Nail Polish, seasoned actress Konkona Sen Sharma, and some in never-seen-before avatars equivalent to Fatima Sana Shaikh, Nushrratt Bharuccha and Aditi Rao Hydari.

Produced below the digital department of Dharma manufacturing, Dharmatic creations, Ajeeb Dastaans, provides twists in all of the four tales, a factor that goes hand-in-hand with its twisted characters.

Breaking stereotypes

In the story, Khilauna, directed by Raj Mehta, Nushrratt will probably be portraying the position of a single mom mom struggling to make each ends meet, probably the most unglamourous character she had ever portrayed on display screen. Talking about her position, she jokes, “The director had made me mop floors at my own house to get into the skin of my character. I use to talk to my house help to expose myself to their way of talking.” Opposite her, Abhishek, who had his fair proportion of real-world-problems whereas taking part in a migrant employee within the anthology, Unpaused, commends the kid actor, Inayat Verma. He provides, “Inayat has amazed us the way she played her character and both Nushrratt and I were in awe when she delivered her shots so easily. I believe as an adult and an actor at the same time, somethings need to be unlearned or forget while playing a character which is easier for a child.” As far as his position of a washerman is worried, he says what he took dwelling as a lesson was find out how to fold his garments.

Debutant’s take

With the anthology, Kayoze Irani, son of Boman Irani, steps into path along with his quick story, Ankahi. While he confirms that he at all times wished to work behind-the-camera than on digicam, he calls his Student of The Year and different motion pictures expertise as an actor a studying curve in some ways. While Shefali and Manav needed to study signal language to painting their roles, Kayoze calls it a delight to work with the actors who have been encouraging one another. He provides, “I said yes to it for my directional debut because Ankahi is about unsaid emotions. It proves that communication doesn’t need to be verbal and a lot can be said without words.” About her expertise, Shefali provides, “I had already told Kayoze that the closing shot be on him for he was doing a great job. I on the other hand wasn’t confident about my sign language and was it going right. Needless to say, I enjoyed playing this role.”

Identifying your self

The story, Geeli Pucchi, is Neeraj Ghaywan’s long-held phrase and concept which got here to actuality with Ajeeb Daastaans. And selecting the most effective to say this story, he has Konkona Sen Sharma, who performs a manufacturing facility employee and Aditi Rao Hydari, a house-wife who remains to be uncertain find out how to embrace her homosexuality. Aditi says, “I enjoyed playing this character which explores the intersectional realities of the two women and bringing those emotions to life is not possible unless you understand them. Konkona and have approached our characters differently and brought our own energies in to the act which was much-needed then planning and discussing it together.”

Powerful trio

Jaideep Ahlawat could be seen in intense character in Shashank’s Majnu which revolves round three characters, and the unusual relationship they’ve one another. The anthology general is full of some heavy dialogues, But the best way ‘Majnu’ stands out, justifies the grandeur of its title. Revolving round love, jealousy, betrayal and weapons are the characters, Jaideep, Fatima and Armaan Ralhan. After Ludo, Fatima is taking part in the spouse once more, however thoughts you, she takes no nonsense and is as fierce as she was within the climax of Ludo. She provides, “My character has the guts to say what she believes in and although we all have some societal limitations in the storyline, it would be fun for the audience to see how the twists unfolds.”

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